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The work has been compared to the description of the artist's appearance in old age in Vasari's Lives of the Artists as "delicate and gentle, with long and battered beard and hair, almost a saviour, different from what had been". Its attribution to Parmigianino is almost unanimous among art historians and is upheld by Fagiolo dell'Arco (1970 ...
Portrait of a Man with a Blue Chaperon (or Portrait of a Man with a Blue Hood, earlier Portrait of a Jeweller or Man with a Ring) is a very small (22.5 cm x 16.6 cm with frame) [1] oil on panel portrait of an unidentified man attributed to the Early Netherlandish painter Jan van Eyck. The painting was commissioned and completed sometime around ...
Man and Woman is an oil-on-canvas painting executed in 1921 by the French artist Fernand Léger. The painting is a cubist portrait of a man and a woman locked in a passionate embrace at odds with their depersonalized, industrialized setting. The painting is held by the Indianapolis Museum of Art, United States. [1]
Portrait of a Young Man, unknown master, 80.5 × 63.5 cm, private collection Berlin. [citation needed] Portrait of a Young Man is a painting by Raphael. It is often thought to be a self-portrait. During the Second World War the painting was stolen by the Nazis from Poland. Many historians regard it as the most important painting missing since ...
The Beguiling of Merlin, 1874 by Edward Burne-Jones, at the Lady Lever Art Gallery. This is a list of paintings produced by members of the Pre-Raphaelite Brotherhood and other artists associated with the Pre-Raphaelite style.
The Eternal Feminine is an 1877 oil-on-canvas painting by the French Post-Impressionist artist Paul Cézanne. [1] The ambiguous work shows men gathered around a single female figure. A range of professions are represented: writers, lawyers, and a painter (possibly Eugène Delacroix or Cézanne himself).
Portrait of a Young Man with a Gold Chain is an oil painting usually attributed to the Dutch painter Rembrandt.Signed and dated 1635, it was traditionally regarded as a self-portrait (under the title Self-Portrait with Beard Rising or Self-Portrait with a Gold Chain), although contemporary criticism tends to challenge this hypothesis.
A Man with a Quilted Sleeve is a painting of about 1510 by the Venetian painter Titian in the National Gallery, London, [2] measuring 81.2 by 66.3 centimetres (32.0 in × 26.1 in). [3] Though the quality of the painting has always been praised, there has been much discussion as to the identity of the sitter.