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A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
In common usage, the word opus is used to describe the best work of an artist with the term magnum opus. [3] In Latin, the words opus (singular) and opera (plural) are related to the words opera (singular) and operae (plural), which gave rise to the Italian words opera (singular) and opere (plural), likewise meaning "work
Note grouping. A=Arsis, T=Thesis. [1] Play ⓘ Binary and ternary rhythms and meter are said to originate in human movement. [1] Inh.=Inhalation, Exh.=Exhalation. In music and prosody, arsis (/ ˈ ɑːr s ɪ s /; plural arses, / ˈ ɑːr s iː z /) and thesis (/ ˈ θ iː s ɪ s /; plural theses, / ˈ θ iː s iː z /) [2] are respectively the stronger and weaker parts of a musical measure or ...
In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in
Although the everyday meaning of plural is "more than one", the grammatical term has a slightly different technical meaning. In the English system of grammatical number, singular means "one (or minus one)", and plural means "not singular". In other words, plural means not just "more than one" but also "less than one (except minus one)".
Italian term Literal translation Definition Banda: band: Small music ensemble used as a supplement to the orchestra in an opera Comprimario: with the first: Supporting role Concertino: little concert: Smaller, more virtuosic group of musicians in a concerto grosso: Convenienze: conveniences
Cauda, a Latin word meaning "tail", "edge" or "trail" is the root of coda and is used in the study of conductus of the 12th and 13th centuries. The cauda was a long melisma on one of the last syllables of the text, repeated in each strophe.
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or tempi from the Italian plural), measured in beats per minute, is the speed or pace of a given composition, and is often also an indication of the composition's character or atmosphere.