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The quilt changes from just a simple pattern with some significance, to an emblem of tradition and culture. Images from popular culture can also be added to the center of the star, however that does not add to the cultural significance of the quilt. [10] In the modern day Star Quilts are used in both traditional cultural ceremonies as well as ...
Harriet Powers (October 29, 1837 – January 1, 1910) [1] was an American folk artist and quilter born into slavery in rural northeast Georgia. Powers used traditional appliqué techniques to make quilts that expressed local legends, Bible stories, and astronomical events.
While star patterns existed in earlier European-American forms of quilting, they came to take on special significance for many native artisans. [31] Star quilts are more than an art form—they express important cultural and spiritual values of the native women who make them and continue to be used in ceremonies and to mark important points in ...
A 1979 quilt by Lucy Mingo of Gee's Bend, Alabama. It includes a nine-patch center block surrounded by pieced strips. The quilts of Gee's Bend are quilts created by a group of women and their ancestors who live or have lived in the isolated African-American hamlet of Gee's Bend, Alabama along the Alabama River.
Joyce J. Scott (born 1948) is an African-American artist, sculptor, quilter, performance artist, installation artist, print-maker, lecturer and educator.Named a MacArthur Fellow in 2016, [1] [2] and a Smithsonian Visionary Artist in 2019, [3] Scott is best known for her figurative sculptures and jewelry using free form, off-loom beadweaving techniques, similar to a peyote stitch. [4]
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