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A lighting control console (also called a lightboard, lighting board, or lighting desk) is an electronic device used in theatrical lighting design to control multiple stage lights at once. They are used throughout the entertainment industry and are normally placed at the front of house (FOH) position or in a control booth .
The company subsequently incorporated as Vari-Lite Inc. [8] and struck distribution deals to introduce the product into international markets. [citation needed]The Series 200 system launched in 1987, featuring the Artisan Control Console and two new luminaires: the VL2—a direct descendant of the VL1—and the VL3, based on the VL-Zero.
Later in the decade, Musco introduced the SportsCluster2 system, along with new technologies designed to reduce glare including its Level-8 and Total Light Control products. [ citation needed ] The company began work on a complete-system approach, in which it would oversee the manufacturing of its own poles and pre-cast concrete base.
The division was restructured in 1982, with it being split into Grimes Galley Products, Grimes Lighting Products, and Grimes EL Products. [10] The Grimes Galley unit closed two years later. [ 11 ] Following a consolidation in 1991, the company reemerged as Grimes Aerospace . [ 12 ]
In 1986 Vari-Lite introduced a new series of lighting fixtures and control consoles. They referred to the new system as their Series 200, with the new lights designated "VL-2 Spot Luminaire", and "VL-3 Wash Luminaire". The Series 200 system was controlled by the Artisan console. Vari-Lite retroactively named the original system "series-100".
Many audio control surfaces are MIDI-based and so are essentially MIDI controllers. While the most common use of MIDI controllers is to trigger musical sounds and play musical instruments, MIDI controllers are also used to control other MIDI-compatible devices, such as stage lights, digital audio mixers and complex guitar effects units.