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In reward for Orfeo's continued love, Amore returns Euridice to life, and she and Orfeo are reunited. After a four-movement ballet, all sing in praise of Amore ("Trionfi Amore"). In the 1774 version, the chorus ("L’Amour triomphe") precedes the ballet, to which Gluck had added three extra movements.
Orpheus is a thirty-minute neoclassical ballet in three tableaux composed by Igor Stravinsky in collaboration with choreographer George Balanchine in Hollywood, California in 1947. The work was commissioned by the Ballet Society , which Balanchine founded together with Lincoln Kirstein and of which he was Artistic Director.
Euridice, an opera by Giulio Caccini with librettist Ottavio Rinuccini (1602) L'Orfeo, the first opera by Monteverdi (1607) Orfeo, an opera by Luigi Rossi (1647) Orpheus, an opera by Georg Philipp Telemann (1726) Orpheus and Euridice, an ode by William Hayes (1735) Orfeo ed Euridice, an opera by Christoph Willibald Gluck (1762)
Title page of the original full score of Gluck's 1762 opera Orfeo ed Euridice (Duchesne, Paris, 1764). [The original image has been cropped and lightened. Gasparo Angiolini (7 February 1731 – 6 February 1803), real name Domenico Maria Gasparo, son of Francesco Angiolini and Maria Maddalena Torzi, was an Italian dancer, choreographer and composer.
Chaconne is a ballet made by New York City Ballet co-founder and ballet master George Balanchine to ballet music from Gluck's Orfeo ed Euridice (Vienna, 1762; Paris, 1774). The premiere took place Wednesday, 22 January 1976 at the New York State Theater, Lincoln Center, with lighting by Ronald Bates; Robert Irving conducted.
(French version of Orfeo ed Euridice) tragédie-opéra: 3 acts: Pierre-Louis Moline, after Calzabigi: 2 August 1774: Paris, Opéra (Palais-Royal) score: L'arbre enchanté (second version) opéra-comique [3] 1 act: Pierre-Louis Moline, after Jean-Joseph Vadé: 27 February 1775: Palace of Versailles: score: La Cythère assiégée (second version ...
The first result of the new thinking was Gluck's reformist ballet Don Juan, but a more important work was soon to follow. On 5 October 1762, Orfeo ed Euridice was given its first performance, on a libretto by Calzabigi, set to music by Gluck. Gluck tried to achieve a noble, Neo-Classical or "beautiful simplicity". The dances were arranged by ...
1762 – Christoph Willibald Gluck – Orfeo ed Euridice (French version, Orphée et Euridice, 1774) 1767 – François-Hippolyte Barthélémon – The Burletta of Orpheus; 1775 – Antonio Tozzi – Orfeo ed Euridice; 1776 – Ferdinando Bertoni – Orfeo ed Euridice (to the same libretto as Gluck's more famous work) 1781 – Luigi Torelli ...