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The modern pan is a chromatically pitched percussion instrument made from 200-litre industrial drums. [4]Drum refers to the steel drum containers from which the pans are made; the steel drum is more correctly called a steel pan or pan as it falls into the idiophone family of instruments, and so is not a drum (which is a membranophone).
Instrument Tradition Hornbostel–Sachs classification Description agbe: See chekere: agida [4] [5]: Suriname: 211.212 Afro-Surinamese bass drum that sets a steady beat for folk music, played with a stick, of the set with apinti and tumao, pitch can be varied based on the location of the head struck, made from hollow logs with heads of skin, used in spiritual ceremonies, where it is associated ...
Box mounted with metal strips that can be plucked, used as a bass instrument in rural folk genres like changüí: mayohuacán [11] mayohabao, bayohabao: Taíno (Cuba, Hispaniola) 111.231 Slit drum made of thin wood, shaped like an elongated gourd ogan [1] Arará 111.242.121 Iron bell, held upside down and struck with a beater; may be used in pairs
Instruments classified by Hornbostel–Sachs as struck or friction idiophones, struck or friction membranophones or struck chordophones. Where an instrument meets this definition but is often or traditionally excluded from the term percussion this is noted. Instruments commonly used as unpitched and/or untuned percussion.
Conga (drum) (1 C, 2 P) Pages in category "Central American and Caribbean percussion instruments" The following 26 pages are in this category, out of 26 total.
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This list contains musical instruments of symbolic or cultural importance within a nation, state, ethnicity, tribe or other group of people.. In some cases, national instruments remain in wide use within the nation (such as the Puerto Rican cuatro), but in others, their importance is primarily symbolic (such as the Welsh triple harp).
Kumina is an Afro-Jamaican religion, dance and music form. Kumina has practices that include secular ceremonies, dance and music that developed from the beliefs and traditions brought to the island by Kongo enslaved people and indentured labourers, from the Congo region of West Central Africa, during the post-emancipation era. [1]