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The award was established in 1980, with the Drama Desk Award for Outstanding Sound Design being presented each year to any play or musical production. Starting in 2010, the singular award was replaced by separate play and musical categories.
Many sound designs for plays also require significant sound reinforcement (see Sound Design for Musicals). Sound Design for plays was recognized by the American Theatre Wing's Tony Awards with the Tony Award for Best Sound Design of a Play until the 2014–15 season, [18] later reinstating the award in the 2017–18 season. [19]
The award was established in 1980, with the Drama Desk Award for Outstanding Sound Design being presented each year to any play or musical production. Starting in 2010, the singular award was replaced by separate play and musical categories.
The Tony Awards for Best Sound Design of a Play and Best Sound Design of a Musical recognize excellence in sound design for Broadway theatre. They were first given in the 2007–2008 season. [ 1 ] In 2014, the Tony Awards Administration Committee announced that starting with the 2014–2015 season the Tony Awards for Best Sound Design of a Play ...
The Drama Desk Award for Outstanding Sound Design was an annual award presented by Drama Desk in recognition of achievements in the theatre across collective Broadway, off-Broadway and off-off-Broadway productions in New York City. The award was first presented in 1980, for work in either a play or musical production.
This group of sound designers formed a steering committee and began discussing what such an organisation should do and how it might exist. The steering committee consisted of: Gareth Fry, Gareth Owen , Paul Arditti , Ian Dickinson, Carolyn Downing, John Leonard, Nela Brown, Steven Brown, Gregg Fisher, David McSeveney, and Christopher Shutt. [ 5 ]
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Abe John Jacob (born October 7, 1944) is an American sound designer and audio engineer.Called the "Godfather of Sound", [1] [2] Jacob greatly influenced the design of sound reinforcement in modern musical theatre, and was one of the first persons credited in the role of sound designer on Broadway, [3] [4] with a sound designer credit in Playbill in 1971.
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