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Roy Fox Lichtenstein [2] (/ ˈ l ɪ k t ən ˌ s t aɪ n /; October 27, 1923 – September 29, 1997) was an American pop artist. During the 1960's, along with Andy Warhol, Jasper Johns, and James Rosenquist, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. [3]
[31] Pop art merges popular and mass culture with fine art while injecting humor, irony, and recognizable imagery/content into the mix. The paintings of Lichtenstein, like those of Andy Warhol, Tom Wesselmann and others, share a direct attachment to the commonplace image of American popular culture, but also treat the subject in an impersonal ...
The latter half of the 20th century included a large-scale trend in American culture in which the boundaries between art and pop music were increasingly blurred. [37] Between 1950 and 1970, there was a debate of pop versus art. [38] Since then, certain music publications have embraced the music's legitimacy, a trend referred to as "poptimism". [38]
Andy Warhol (/ ˈ w ɔːr h ɒ l /; [1] born Andrew Warhola Jr.; August 6, 1928 – February 22, 1987) was an American visual artist, film director and producer.A leading figure in the pop art movement, Warhol is considered one the most important artists of the second half of the 20th century.
[5] [6] In the 1930s and 1940s, as jazz and swing music were gaining popularity, it was the more commercially successful white artists Paul Whiteman and Benny Goodman who became known as "the King of Jazz" and "the King of Swing" respectively, despite there being more highly regarded contemporary African-American artists.
House-pop (sometimes also called "pop-house") [22] is a crossover of house and dance-pop music that emerged in early '90s. [23] The genre was created to make house music more radio friendly. [ 24 ] The characteristic of house-pop is similar to diva house music, like over-the-top vocal acrobatics, bubbly synth riffs, and four-on-the-floor rhythm.
The common characteristics of new wave music include a humorous or quirky pop approach, angular guitar riffs, jerky rhythms, the use of electronics, and a distinctive visual style in fashion. [ 30 ] [ 5 ] In the early 1980s, virtually every new pop and rock act – and particularly those that employed synthesizers – were tagged as "new wave ...
J-Pop was a major trend in the late 1990s. The Japanese record label Avex Trax produced a string of top-charting J-pop artists, including Namie Amuro, Ayumi Hamasaki, and the band Every Little Thing. Hikaru Utada, only 16 at the time, scored her signature hit in 1999 with "Automatic", which was later covered by Hong Kong singer Kelly Chen.