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The Canadian Group of Painters succeeded the disbanded Group of Seven, whose modernist paintings of the Canadian north land had been a strong influence on Canadian art. [2] In the early 1930s, the Group of Seven's prominence had caused controversy as many believed that the National Gallery of Canada exhibited favouritism for their work [ 3 ...
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Petley-Jones became a member of the Edmonton Art Club in 1927, and in 1931 he was one of the early generation of artists who joined the Alberta Society of Artists. [7] The same year, at the age of 23, his paintings were accepted by jury for the National Gallery of Canada annual show.
In 1933, members of the Group of Seven decided to enlarge the group and formed the Canadian Group of Painters, made up of 28 artists from across the country. [50] Today, particularly with the work of Tom Thomson, the Group of Seven and Emily Carr, Canadian art is reaching new highs in the Canadian auction market. [51]
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The Eastern Group of Painters was a group of Canadian artists formed in 1938 in Montreal, Quebec for exhibition purposes [1] and showing together as a group till 1950. It included Montreal artists whose common interest was painting and an art for art's sake aesthetic, not the espousal of a nationalist theory as was the case with the Group of Seven or the Canadian Group of Painters.
Humphrey was a founding member of the Canadian Group of Painters (C.G.P.) in 1933, the Eastern Group (1938) which evolved into the Contemporary Arts Society, the Canadian Society of Painters in Water Colour (Director, 1944; Vice-President, 1945); and the Canadian Society of Graphic Art (Regional Representative, 1946; Eastern Vice-President ...