Search results
Results From The WOW.Com Content Network
Bedu Pako Baro Masa (English: Figs do ripen round the year) is a Kumaoni folk song in Kumaoni language which was composed by Mohan Upreti, B. M. Shah and written by Brijendra Lal Shah. This Kumaoni song was composed, written and first performed in the early 1950s and since has become popular all over Uttarakhand as even before it had been sung ...
The song was also used in Hindi film, Lekin... (1991) set in Rajasthan, as Kesariya Baalma, in which it was sung by Lata Mangeshkar, set to music by Hridaynath Mangeshkar. It was used in Hindi film Dor. It was also used in the title of TV series, Kesariya Balam Aavo Hamare Des (2009).
Sassui Punnhun [a] or Sassi Punnu [b] is a traditional Sindhi, Balochi [1] [2], and Punjabi tragic folktale.Set in Sindh and Makran, the tragedy follows the story of a faithful lover who endures many difficulties while seeking her beloved husband who was separated from her by rivals.
Nimbooda" (English: "Lime") is a traditional folk tune from Rajasthan. It was first popularized by Gazi Khan Barna of the Manganiar community in Rajasthan. [1] [2] [3] The song discusses fetching limes from the fields as a double entendre.
In Magahi speaking area, folk singers sing a good number of ballads. The introduction of Urdu meant a setback to local languages as its Persian script was alien to local people. The first success in spreading Hindi occurred in Bihar in 1881, when Hindi displaced Urdu as the official language of the province.
Ghoda Nacha or Chaiti Ghoda Nacha. Chaiti ghoda is one of the popular folk dance forms of Odisha specially performed by aboriginal fishermen tribes like the Keot (Kaibarta). [1] [2] Chaiti represent the chaitra month of the year i.e. from March to April to the full moon in Baisakh i.e. from April to May and ghoda means horse in Odia and Hindi. [3]
Dance in India include classical (above), semiclassical, folk and tribal. Dance in India comprises numerous styles of dances, generally classified as classical or folk. [1] As with other aspects of Indian culture, different forms of dances originated in different parts of India, developed according to the local traditions and also imbibed elements from other parts of the country.
In spiritual poetry, Jugni means the spirit of life, or essence of life. Jugni is a style of singing that was first created by a famous Punjabi folk singer (late) Alam Lohar, who belonged to a small village in Punjab of British India, prior to the creation of Pakistan, Alam Lohar and after this singer, other singers have adopted this style.