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This list of monospaced typefaces details standard monospaced fonts used in classical typesetting and printing. Samples of Monospaced typefaces Typeface name
New Swiss road signs near Lugano use the typeface ASTRA-Frutiger.. Frutiger is a sans-serif typeface by the Swiss type designer Adrian Frutiger.It is the text version of Frutiger's earlier typeface Roissy, commissioned in 1970/71 [6] by the newly built Charles de Gaulle Airport at Roissy, France, which needed a new directional sign system, which itself was based on Concorde, a font Frutiger ...
The Bauhaus typeface design is based on Herbert Bayer's 1925 experimental Universal typeface and the Bauhaus aesthetic overall. The Bauhaus school sought to modernize, unify and standardize design into an idealistic form that would combine function with aesthetics. One aspect of their many proposed reforms was a series of related Bauhaus typefaces.
Gentium (/ ˈ dʒ ɛ n t i ə m /, from the Latin for "of the nations") is a Unicode serif typeface family designed by Victor Gaultney. Gentium fonts are free and open source software, and are released under the SIL Open Font License (OFL), which permits modification and redistribution. [1]
The "Included from" column indicates the first edition of Windows in which the font was included. Included typefaces with versions. Typeface Family Spacing
Bank Gothic is a rectilinear geometric sans-serif typeface designed by Morris Fuller Benton for American Type Founders and released in 1930. [1] The design has become popular from the late twentieth century to suggest a science-fiction, military, corporate, or sports aesthetic.
Diagram of a cast metal sort.a face, b body or shank, c point size, 1 shoulder, 2 nick, 3 groove, 4 foot.. In professional typography, [a] the term typeface is not interchangeable with the word font (originally "fount" in British English, and pronounced "font"), because the term font has historically been defined as a given alphabet and its associated characters in a single size.
A 2010 Princeton University study involving presenting students with text in a font slightly harder to read found that they consistently retained more information from material displayed in fonts perceived as ugly or disfluent (Monotype Corsiva, Haettenschweiler, and Comic Sans Italic) than in a simpler, more traditional font like Helvetica.