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Twelfth Night, or What You Will is a romantic comedy by William Shakespeare, believed to have been written around 1601–1602 as a Twelfth Night entertainment for the close of the Christmas season. The play centres on the twins Viola and Sebastian , who are separated in a shipwreck.
At the same time, Richard's vivid self-awareness looks forward to the soliloquies of Shakespeare's mature plays. [4] [5] No single play marks a change from the traditional to the freer style. Shakespeare combined the two throughout his career, with Romeo and Juliet perhaps the best example of the mixing of the styles. [6]
Of this kind of comedy, Twelfth Night is "one of the most delightful". [181] Unlike the "comedy of artificial life, of wit, of satire," [182] Shakespeare's more gentle comedy "makes us laugh at the follies of mankind, not despise them [...]. Shakespear's comic genius resembles the bee rather in its power of extracting sweets from weeds or ...
For Shakespeare, as he began to write, both traditions were alive; they were, moreover, filtered through the recent success of the University Wits on the London stage. By the late 16th century, the popularity of morality and academic plays waned as the English Renaissance took hold, and playwrights like Thomas Kyd and Christopher Marlowe revolutionised theatre.
Sir Andrew Aguecheek is a fictional character in William Shakespeare's play Twelfth Night, or What You Will. One of the supporting characters, Sir Andrew is a stereotypical fool, who is goaded into unwisely duelling with Cesario and who is slowly having his money pilfered by Sir Toby Belch. He is dim-witted, vain and clownish.
Feste in Twelfth Night – One of Shakespeare's most multi-faceted clowns, [9] Feste is employed by Olivia, but is equally at home in Orsino's house. Feste, the "wise fool," provides more than wit or entertainment, and is in fact the voice for the play's most important themes.
Malvolio is a fictional character in William Shakespeare's comedy Twelfth Night, or What You Will. His name means "ill will" in Italian, referencing his disagreeable nature. [1] He is the vain, pompous, authoritarian steward of Olivia's household.
In Twelfth Night, Maria's letter in Olivia's handwriting designed to gull Malvolio reads: "I may command where I adore; but silence, like a Lucrece knife, With bloodless stroke my heart doth gore: M, O, A, I, doth sway my life." As Malvolio interprets the "fustian riddle", Olivia's inability or unwillingness to speak of her love for him is ...