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Scars & Souvenirs is the third album by Canadian rock band Theory of a Deadman, and was released on April 1, 2008.It has so far been the band's most successful album to date and has spawned many hit singles.
For their first five studio albums, Theory of a Deadman's music was a combination of post-grunge, hard rock, alternative rock, and alternative metal, blended with elements of country music. [12] With the release of their sixth studio album, Wake Up Call (2017), the band reinvented themselves with a shift toward a genre that was aligned more ...
Theory of a Deadman discography Theory of a Deadman performing at the 2013 Festival of Friends Studio albums 8 EPs 1 Singles 38 Music videos 27 The Canadian rock band Theory of a Deadman has released eight studio albums, one extended play (EP), thirty-seven singles, and twenty-six music videos. The band was formed in 1999 in Delta, British Columbia, by Tyler Connolly (lead vocals and guitars ...
Theory of a Deadman (abbreviated as Theory or T.O.A.D) is a Canadian rock band from North Delta, British Columbia. Formed in 1999, the band is currently signed to Roadrunner Records as well as 604 Records. The band's music has hints of various music styles, such as country and acoustic, in addition to their post-grunge and alternative rock ...
A California woman was arrested Wednesday after 27 dead horses were found across her multiple properties, officials said. Jan Johnson, of Clements, was booked in the San Joaquin County Jail on ...
Say Nothing is the seventh studio album by Canadian rock band Theory of a Deadman, released on January 31, 2020, through 604 Records in Canada and Atlantic and Roadrunner Records in the United States. The record contains lyrics about such issues as domestic violence and racism.
In late-1992, not long after Jane’s Addiction broke up, Jane’s bassist Eric Avery and guitarist Dave Navarro formed the one-off musical project Deconstruction. In 1994, they released their ...
On the occasion of the 10th anniversary of the Frida relaunch in the U.S., CEO Chelsea Hirschhorn looks back at the "blind naivete" that let her believe the snotsucker could go mainstream.