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Judith Gould is a fictional American writer of romance novels, and is the pseudonym used by co-authors: Nicholas Peter "Nick" Bienes and Rhea Gallaher, who are actually both men. Gould is a New York Times bestselling author [ 1 ] whose books have been translated into 22 languages.
In 1999, Judith S. Gould and Evan Jay Gould wrote the first book in a series dedicated to the four square writing method. [7] This series is published by the Teaching & Learning Company, a Lorenz Educational Press company.
This imprint includes supplementary materials for preschool through high school. In 1999, Judith S. Gould [7] and Evan Jay Gould developed the four square writing method. [8] A series of books based on this method, and written by Judith and Evan Gould and Mary F. Burke, is published by the Teaching & Learning Company.
Sins is a 1986 CBS television miniseries starring Joan Collins.An adaptation of the 1982 novel of the same name by Judith Gould, it is the story of a woman who survives the horrors of the Nazi occupation of France and endures a succession of challenges as she rises in the world of fashion.
This is a list of pen names used by notable authors of written work. A pen name or nom de plume is a pseudonym adopted by an author.A pen name may be used to make the author' name more distinctive, to disguise the author's gender, to distance the author from their other works, to protect the author from retribution for their writings, to combine more than one author into a single author, or ...
Revolution from Within: A Book of Self-Esteem, Gloria Steinem (1992) "Talking Our Way In", Rachel Adler (1992) [527] The Mismeasure of Woman: Why Women Are Not the Better Sex, the Opposite Sex, or the Inferior Sex, Carol Tavris (1992) The Straight Mind and Other Essays, Monique Wittig (1992) The War Against Women, Marilyn French (1992)
Some troops leave the battlefield injured. Others return from war with mental wounds. Yet many of the 2 million Iraq and Afghanistan veterans suffer from a condition the Defense Department refuses to acknowledge: Moral injury.
Although the term has been used generally to describe "bodice-rippers" such as Forever Amber (1944) by Kathleen Winsor, [4] as well as Valley of the Dolls (1966) and the novels of Jacqueline Susann [5] [6] and Harold Robbins, [7] it is specifically associated with the novels of Judith Krantz, Jackie Collins, Shirley Conran, and Jilly Cooper, known for their glamorous, financially independent ...