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Lâm Nhật Tiến (born 3 September 1971) is a Vietnamese- American singer who was affiliated with the music label Asia Entertainment Inc. from 1994 to 2016. [1] He gained prominence through numerous appearances in Asia Entertainment's music videos, establishing himself as one of Vietnam's leading male pop stars.
The "Dangerous" music video is based on the movie Sin City, beginning by "Twin City" and like Sin City it is completely in black and white style with occasional colorization including the girls in the video who are in color.
An EP entitled 1.5, consisting of eight remixes of "Dangerous", was released on December 3, 2013. [2] The single was subsequently re-released on June 3, 2014. [3] In April 2016, the Austrian rapper Left Boy used a sample of the song in his song of the same title; "Dangerous". [4] It was featured in the film Earth to Echo.
There are three official remixes for "Dangerous". The first is a soca remix which uses a different beat, and retains the original lyrics. The second remix features Akon and Sean Paul, using the original beat, with new lyrics by Kardinal and Sean Paul. The third remix uses a different beat, and features Akon, Sean Paul, and Twista.
t.A.T.u. Remixes, or simply Remixes, is an official compilation of remixes from t.A.T.u. The album features remixes from 200 Po Vstrechnoy as well as from 200 km/h in the Wrong Lane and some new remixes.
"Dangerous" is a song by American rapper Meek Mill featuring Jeremih and PnB Rock. It appears on Meek Mill's EP Legends of the Summer and his album Championships . [ 2 ] The song samples " Come and Talk to Me " by American R&B group Jodeci .
"Dangerous" is a song by South African rock band Seether. It is their first single from their eighth studio album Si Vis Pacem, Para Bellum . It peaked at number one on the Billboard Mainstream Rock Songs chart in October 2020.
The Observer critic Paul Mardles, labeling most of Into Colour as "flat" and "forgettable," found "Dangerous" to be the album's most memorable track for its disco style. [9] Writer Paul John, however, criticized it for being a "slightly dishonest representation of the remainder of the album," but nonetheless called it "a wonderful song in and ...