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Lightning McQueen, known primarily as Montgomery "Monty" McQueen before the events of the Cars films, (voiced by Owen Wilson in the films, Cars on the Road, video game adaption, Kinect Rush: A Disney-Pixar Adventure, and Lego The Incredibles, Ben Rausch in Cars 3: Driven to Win, and Keith Ferguson in Cars Toons and most video games), [1] is a custom-built race car who competes in the Piston ...
Art department manager Jay Ward explained that the theme of the film is expressed in Lightning McQueen's character development. He said that, as a racing car, he is entirely self-centered and his goal at the start of the film is to reach the finish line, but by spending time in Radiator Springs, he has to learn that "life is about the journey ...
Cars is a 2006 American animated sports comedy film produced by Pixar Animation Studios for Walt Disney Pictures.The film was directed by John Lasseter, co-directed by Joe Ranft, produced by Darla K. Anderson, and written by Lasseter, Ranft, Dan Fogelman, Kiel Murray, Phil Lorin, and Jorgen Klubien based on a story by Lasseter, Ranft, and Klubien.
A Lightning McQueen toy is seen. [citation needed] A Leak Less bottle is seen. [105] Toy Story 3. In the Western action sequence at the beginning of the film, the runaway train has the engine number 95, a reference to Lightning McQueen and the year the original Toy Story came out. [5] A Lightning McQueen-styled wooden car appears in the Daycare ...
Sally later watches the tiebreaker race from Radiator Springs with Lizzie and Red while Doc and the other residents of Radiator Springs go to the tie-breaker race to help Lightning McQueen. She witnesses Lightning help The King after suffering a rollover crash caused by Chick Hicks, and later greets Lightning again at the Wheel Well Motel ...
All Cars Toons in Mater's Tall Tales follow a shared formula: Each episode opens with Mater saying, "If I'm lying, I'm crying!" and then the title card. Next, McQueen and Mater see something that results in the latter proceeding to tell the former a “tall tale” about something he supposedly did in the past, before the action shifts to the flashback of Mater's story.
McQueen explored complex black and white prints again in The Horn of Plenty (Fall/Winter 2009). [77] Look 33 was photographed for Vogue by Thomas Schenk. [78] In 2014, Harper's Bazaar named Scanners one of McQueen's most memorable shows, citing the wind tunnel performances. [70] Vogue interviewed several McQueen models for their February 2020 ...
References to McQueen's previous work gave the collection a "momentous quality" that made it feel like a memorial to his career. [52] For Khan, McQueen's death, and the posthumous presentation of Angels and Demons, signalled the end of an era in which a designer's personality was "central to the way fashion establishes meaning". [83]