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Marxist dialectic is a form of Hegelian dialectic which applies to the study of historical materialism. Marxist dialectic is thus a method by which one can examine social and economic behaviors. It is the foundation of the philosophy of dialectical materialism, which forms the basis of historical materialism.
The lord–bondsman dialectic (sometimes translated master–slave dialectic) is a famous passage in Georg Wilhelm Friedrich Hegel's The Phenomenology of Spirit.It is widely considered a key element in Hegel's philosophical system, and it has heavily influenced many subsequent philosophers.
Marx credits Hegel with "being the first to present [dialectic's] form of working in a comprehensive and conscious manner". But he then criticizes Hegel for turning dialectics upside down: "With him it is standing on its head. It must be turned right side up again, if you would discover the rational kernel within the mystical shell.". [21] [22]
Hegelian Dialectic received generally positive reviews, with critics praising the new politically driven and socially conscious tone, a notable change from Prodigy's previous work. Adam Seyum of Music Connection gave the album eight out of ten stars, saying " With songs like 'Mystic', 'Tyranny' and 'Spiritual War,' [Prodigy] encourages ...
The tension between these senses suits what Hegel is trying to talk about. In sublation, a term or concept is both preserved and changed through its dialectical interplay with another term or concept. Sublation is the motor by which the dialectic functions. Sublation can be seen at work at the most basic level of Hegel's system of logic.
McTaggart's earlier work was devoted to an exposition and critique of Hegel's metaphysical methods and conclusions and their application in other fields. His first published work Studies in Hegelian Dialectic (1896), an expanded version of his Trinity fellowship dissertation, focused on the dialectical method of Hegel's Science of Logic.
Rather, following Kant in The Critique of Pure Reason, Hegel's usage harks back to the Greek eidos, Plato's concept of form that is fully existent and universal: [136] "Hegel's Idee (like Plato's idea) is the product of an attempt to fuse ontology, epistemology, evaluation, etc., into a single set of concepts."
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