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Painting of Assam, the art of manuscript painting in the Assam region developed through the movement of Vaishnavism. Vaishnava saints were primarily responsible for the establishment of manuscript painting tradition in Assam. A large number of manuscript paintings were done and copied during the 16th to 19th centuries.
In total there are 14 images throughout the psalter. Byzantine illuminated manuscripts were produced across the Byzantine Empire, some in monasteries but others in imperial or commercial workshops. Religious images or icons were made in Byzantine art in many different media: mosaics, paintings, small statues and illuminated manuscripts. [1]
Miniature of Sinon and the Trojan Horse, from the Vergilius Romanus, a manuscript of Virgil's Aeneid, early 5th century. A miniature (from the Latin verb miniare 'to colour with minium', a red lead [1]) is a small illustration used to decorate an ancient or medieval illuminated manuscript; the simple illustrations of the early codices having been miniated or delineated with that pigment.
The Isha Upanishad manuscript Gharib al-Hadith, by Abu 'Ubaid al-Qasim ibn Sallam al-Harawi (d. 837 AD). The oldest known dated Arabic manuscript on paper in Leiden University Library, dated 319 AH (931 AD) A 14th-century Armenian manuscript, with painting by Sargis Pitsak. The first page of the Gospel of Mark. Cod. 2627, fol. 436 r. (Matenadaran)
Ottoman miniature (Turkish: Osmanlı minyatürü) is a style of illustration found in Ottoman manuscripts, often depicting portraits or historic events.Its unique style was developed from multiple cultural influences, such as the Persian Miniature art, as well as Byzantine and Mongol art.
An illuminated manuscript is a formally prepared document where the text is decorated with flourishes such as borders and miniature illustrations.Often used in the Roman Catholic Church for prayers and liturgical books such as psalters and courtly literature, the practice continued into secular texts from the 13th century onward and typically include proclamations, enrolled bills, laws ...
They originate in the classical secular tradition of the author portrait, which was often the only illustration in a classical manuscript, also used as a frontispiece (not unlike the contemporary author photo, though this is usually shown on the back cover or wrapper). A very few examples of Late Antique secular author portraits survive, and ...
Indian Painting, by Douglas E. Barrett, Basil Gray. Published by Skira, 1978. ISBN 0-8478-0160-8. Kossak, Steven. (1997). Indian court painting, 16th–19th century. Metropolitan Museum of Art. ISBN 0-87099-783-1; Stella Kramrisch (1954). The Art of India: Traditions of Indian Sculpture, Painting, and Architecture. Phaidon Publishers. ISBN ...