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Suk Trio (2001, recorded 1978): Dvořák: Complete Piano Trios, Supraphon 3545. Dvořák, Suk, Shostakovich: Piano Trios. Ahn Trio, EMI Music Germany (1998) Dumka No. 5, with Itzhak Perlman, Yo-Yo Ma and Rudolf Firkušný, Sony CD (1994) and Kultur DVD (2007) Dvořák: Piano Trios, Op. 65 & 90 "Dumky".
Dumka (Ukrainian: думка, dúmka, plural думки, dúmky) is a musical term introduced from the Ukrainian language, with cognates in other Slavic languages. The word dumka literally means "thought".
Klavírní trio č. 2 g moll: Piano Trio No. 2 in G minor: violin, cello and piano 57: 80: 1876: Smyčcový kvartet č. 8 E dur: String Quartet No. 8 in E major: 2 violins, viola and cello: formerly Op. 27 58: 28: 1876: Dva menuety: 2 Minuets in A ♭ and F major: piano: 59: 29: 1876: Čtyři sbory pro smíšené hlasy: 4 Choruses: mixed chorus
His Dumky Trio is one of his best-known chamber works, and is named for the dumka, a traditional Ukrainian and Slavic genre. His major works reflect his heritage and love for his native land. Dvořák followed in the footsteps of Bedřich Smetana, the creator of the modern Czech musical style.
The cello and viola alternate a rhythmic pizzicato underneath the main tune of the first violin. The slower trio section of the scherzo is also derived from the furiant theme, with the piano and violin alternating between the main melodies. The fast Bohemian folk dance returns and the movement finishes aggressively, setting up for the polka in ...
Dumka (1941), a recently published work for violin, viola, and piano, reflects the Eastern European folk styles of Bartók and Martinů. [9] The "Passacaglia on an Old English Tune", also from 1941 and premiered by Clarke herself, is based on a theme attributed to Thomas Tallis which appears throughout the work.
Antonín Dvořák composed over 200 works, most of which have survived. They include nine symphonies, ten operas, four concertos and numerous vocal, chamber and keyboard works.
The fifth, a lyrical dumka, is marked Adagio, but has a central Presto; it is one of the two movements Janáček added to the second version of the Idyll. The sixth is a scherzo and trio with a flavour of folk dance. The seventh and last is another Moderato, and is in rondo form; this is the other movement added for the second version. [4] [5 ...