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The Iraiyanar Akapporul in its present form is a composite work, containing three distinct texts with different authors. These are sixty nūṟpās which constitute the core of the original Iraiyanar Akapporul, a long prose commentary on the nūṟpās, and a set of poems called the Pāṇṭikkōvai which are embedded within the commentary.
The writings of Syrian poet and writer Francis Marrash (1836–73) featured the first examples of prose poetry in modern Arabic literature. [11] From the mid-20th century, the great Arab exponent of prose poetry was the Syrian poet, Adunis (Ali Ahmad Said Esber, born 1930), a perennial contender for the Nobel Prize in Literature. [12]
The derived adjective prosimetrical occurs in English as early as Thomas Blount’s Glossographia (1656) where it is defined as "consisting partly of Prose, partly of Meteer or Verse". [7] Works such as historical chronicles and annals, which quote poetry previously composed by other authors, are not generally regarded as "true" prosimetra. [8]
The rejection of traditional forms and structures for poetry that began in the first half of the 20th century coincided with a questioning of the purpose and meaning of traditional definitions of poetry and of distinctions between poetry and prose, particularly given examples of poetic prose and prosaic poetry.
The disparities in East Asian countries’ institutions, cultural beliefs, and literary tastes, can be signalled within their poetry. For example, in Chinese and Korean poetry, themes of friendships, parting and retirement are preferred and more frequent written, whereas, within Japanese poetry, there is a greater tendency and interest to ...
Parallelism as a rhetorical device is used in many languages and cultures around the world in poetry, epics, songs, written prose and speech, from the folk level to the professional. An entire issue of the journal Oral Tradition has been devoted to articles on parallelism in languages from all over. [ 3 ]
Nahuatl literature was divided into cuícatl, which included song and poetry, and tlahtolli, which included prose works of history and discourses. The teocuícatl were divine hymns that were sung to praise the gods, while other Nahuatl poetry was sung in celebration of life and friendship, to honor warriors, or to pose philosophical questions.
Nemerov's "Because You Asked about the Line between Prose and Poetry" is frequently taught as an example of an Ars Poetica as it describes the nearly imperceptible change between rain and snow while still maintaining the formal poetic elements of rhyme and meter. A critical review by Mary Kinzie said of it: "the poem imperceptibly thickens ...