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The awit (Tagalog for "song" [1]) is a type of Filipino poem, consisting of 12-syllable quatrains. It follows the pattern of rhyming stanzas [which?] established in the Philippine epic Pasyon. It is similar in form to the corrido. [2] One influential work in the awit form is Florante at Laura, an 1838 narrative poem by Francisco Balagtas. [3]
Florante at Laura is written as an awit, meaning "song", but it also refers to a standard poetic format with the following characteristics: [6] four lines per stanza; [7] quatrain [6] twelve syllables per line; [7] an assonantal rhyme scheme of AAAA (as described by José Rizal in Tagalische Verskunst); [8] a caesura or pause after the sixth ...
Rondel (or roundel): a poem of 11 to 14 lines consisting of 2 rhymes and the repetition of the first 2 lines in the middle of the poem and at its end. Sonnet: a poem of 14 lines using any of a number of formal rhyme schemes; in English, they typically have 10 syllables per line. Caudate sonnet; Crown of sonnets (aka sonnet redoublé) Curtal sonnet
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
The second lines of the two stanzas are different, but rhyme at the end with the first and last lines. (In other words, all the "A" and "a" lines rhyme with each other, but not with the "b" lines.) XAXA – Four lines, two unrhymed (X) and two with the same end rhyme (A) Other notation examples:
A line break is the termination of the line of a poem and the beginning of a new line. The process of arranging words using lines and line breaks is known as lineation, and is one of the defining features of poetry. [2] A distinct numbered group of lines in verse is normally called a stanza. A title, in certain poems, is considered a line.
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In English-language poetry, especially serious verse, masculine rhymes comprise a majority of all rhymes. [citation needed] John Donne's poem "Lecture Upon the Shadow" is one of many that use exclusively masculine rhyme: Stand still, and I will read to thee A lecture, love, in Love's philosophy. These three hours that we have spent