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Bhairav is a popular raga for film songs. Here are some film songs based on Bhairav: "Amma Roti De Baba Roti De" – Sansar, 1952 "Hanse Tim Tim" – Sansar, 1952 "Mohe Bhul Gaye Sanvariya" – Baiju Bawra, 1952 "Jaago, Mohan Pyare Jaago" – Jagte Raho, 1956 "Man Re Hari Ke Gun Ga" – Musafir, 1957 "Meri Veena Tum Bin Roye" – Dekh Kabira ...
Kalai Nera Poonguil [TH - A Raga's Journey 2] Amman Kovil Kizhakale: Ilaiyaraaja: S. P. Balasubrahmanyam & S. Janaki: Tamil Abhogi / Abhogi Kanada: Naanandri Yaar Varuvaar [TH - A Raga's Journey 2] Malayitta Mangai: Viswanathan–Ramamoorthy: T. R. Mahalingam & A. P. Komala: Abhogi / Abhogi Kanada: Thanga Radham Vandadhu [TH - A Raga's Journey ...
Chakravakam, the 16th Melakarta raga of Carnatic music, which is a sampurna scale (all seven notes in ascending and descending scale), closely resembles Ahir Bhairav. [5] However, in the modern times Ahir Bhairav raga has been used in a few Carnatic music compositions and many South Indian film songs as well.
Bairagi (raga), also known as Bairagi bhairav, is a Hindustani classical raga. [1] [2] Thaat: Bhairav Jati: Audav Aaroh: sa, komal re, ma, pa, komal ni sa* Avroh: sa*, komal ni, pa, ma, komal re, sa Pakad: ni re ma pa, ni pa ni, ni ma re ni re sa Vadi: ma Samvadi: Sa Time: Early morning
The Bhairav raga itself is extremely vast and allows a huge number of note combinations and a great range of emotional qualities from valour to peace. There are many variations based on it including (but not restricted to) Ahir Bhairav , Alam Bhairav, Anand Bhairav, Bairagi Bhairav, Beehad Bhairav, Bhavmat Bhairav, Devata Bhairav, Gauri Bhairav ...
Bhairavi (Hindi: भैरवी, Urdu: بَھیرَوی , Sindhi: راڳ ڀيروي, Bengali: ভৈরবী) is a Hindustani Classical heptatonic raga of Bhairavi thaat. [1] In Western musical terms, raga Bhairavi employs the notes of the Phrygian mode, one of the traditional European church modes.
Nat Bhairav (or also written as Nut Bhairav) (Hindi: नट भैरव) is a Hindustani classical heptatonic raga of Bhairav Thaat. Traditionally it is a morning raga. It is one of the most important ragas of the Bhairav anga. [1] This raga is not be confused with the Natabhairavi, the 20th Melakarta of Carnatic Music.
The country-side or desi (native) form of Haryanvi music is based on Raag Bhairvi, Raag Bhairav, Raag Kafi, Raag Jaijaivanti, Raag Jhinjhoti and Raag Pahadi and used for celebrating community bonhomie to sing seasonal songs, ballads, ceremonial songs (wedding, etc.) and related religious legendary tales such as Puran Bhagat.