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Statue of La Llorona on an island of Xochimilco, Mexico, 2015. La Llorona (Latin American Spanish: [la ʝoˈɾona]; ' the Crying Woman, the Weeping Woman, the Wailer ') is a vengeful ghost in Mexican folklore who is said to roam near bodies of water mourning her children whom she drowned in a jealous rage after discovering her husband was unfaithful to her.
Claimed to weep real tears, shown to be fraudulent as statue owner applied the tears with a water gun. [15] February 1995 Civitavecchia, Italy: statue of Our Lady, bought in Medjugorje, tears of blood [24] [25] April 1997 till present Platina, Brazil: statue of Our Lady of the Sacred Heart sheds a red liquid – unverified [26] March 2002 ...
The company employed about 130 people in Chicago in the late 1980s. [5] Collectors provide a market for resale of the statues, but they are not generally valued highly in monetary terms. [6] In 1996, the company was owned by B. Paul Brueggemeier and was having to leave its factory at 850 North Ogden to make way for a town house development. [7]
A statue of the Virgin Mary in Mexico has been captured “crying” tears, prompting hundreds to travel to witness a “miracle.”. The statue, residing in a church in the town of El Canal ...
Word of a Virgin Mary statue in Floridablanca, Colombia, has gotten out, attracting religious aficionados due to one peculiar feature: A bloody "tear-drop" that appears to be running down her cheek.
A Venus figurine is any Upper Palaeolithic statue portraying a woman, usually carved in the round. [1] Most have been unearthed in Europe, but others have been found as far away as Siberia and distributed across much of Eurasia. Most date from the Gravettian period (26,000–21,000 years ago). [1]
The Fort Dearborn Massacre Monument, also known as Potawatomi Rescue and Black Partidge Saving Mrs. Helm, is an 1893 bronze sculpture by Carl Rohl-Smith (1848–1900) that was installed in Chicago, in the U.S. state of Illinois. [1] The statue is about nine feet (three meters) in height.
The statue's creation was documented in an 1896 issue of Cosmopolitan Magazine: according to this account, his wife's death so devastated Story that he lost interest in sculpture, but was inspired to create the monument by his children, who recommended it as a means of memorializing the woman. [3]