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Japanese wordplay relies on the nuances of the Japanese language and Japanese script for humorous effect, functioning somewhat like a cross between a pun and a spoonerism. Double entendres have a rich history in Japanese entertainment (such as in kakekotoba ) [ 1 ] due to the language's large number of homographs (different meanings for a given ...
Japanese commonly use proverbs, often citing just the first part of common phrases for brevity. For example, one might say i no naka no kawazu (井の中の蛙, 'a frog in a well') to refer to the proverb i no naka no kawazu, taikai o shirazu (井の中の蛙、大海を知らず, 'a frog in a well cannot conceive of the ocean').
Ushi no toki mairi (Japanese: 丑の時参り, lit. "ox-hour shrine-visit") or ushi no koku mairi (丑の刻参り) [2] refers to a prescribed method of laying a curse upon a target that is traditional to Japan, so-called because it is conducted during the hours of the Ox (between 1 and 3 AM).
Japanese folklore features witch figures who employ foxes as familiars. Korean history includes instances of individuals being condemned for using spells. The Philippines has its own tradition of witches, distinct from Western portrayals, with their practices often countered by indigenous shamans .
In the side stories, Chihaya is not Kazuki's childhood friend but just a student from another class that had a crush on Kazuki. Chihaya is a shy and inward character and does not have the proper chance to convey her feelings to Kazuki. Voiced by: Mai Nakahara (Japanese); Luci Christian (English) Dr. Haruaki Akai (紅尉 晴明, Akai Haruaki)
Ryōbu Shintō (両部神道) – Also called shingon Shintō, in Japanese religion, the syncretic school that combined Shinto with the teachings of the Shingon sect of Buddhism. The school developed during the late Heian and Kamakura periods. The basis of the school's beliefs was the Japanese concept that kami were manifestations of Buddhist ...
In Japanese culture, social hierarchy plays a significant role in the way someone speaks to the various people they interact with on a day-to-day basis. [5] Choice on level of speech, politeness, body language and appropriate content is assessed on a situational basis, [6] and intentional misuse of these social cues can be offensive to the listener in conversation.
A modern Japanese text labeled Dai Marishi-Ten hiju/大摩利子天秘授 (Nine syllables of the Tactics of the Great Goddess of Light (Marishi-Ten)) says that five horizontal slashes are made while reciting the yo-syllables: rin, toh, kai, retsu, zen, which spells (come, fight, ready, line up, in front) first.
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