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"Eleanor Rigby" is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with " Yellow Submarine ". Credited to the Lennon–McCartney songwriting partnership, the song is one of only a few in which John Lennon and Paul McCartney later disputed primary authorship. [ 3 ]
A final reunion song, "Now and Then", was released in 2023. [42] The Beatles remain one of the most acclaimed and influential artists in popular music history. [1] [43] Their songs have been covered thousands of times by a wide range of artists and continue to be celebrated throughout the world. [15]
By the mid-1960s, the Beatles became interested in tape loops and found sounds. [36] [37] Early examples of the group sampling existing recordings include loops on "Revolution 9" [37] (the repetitive "number nine" is from a Royal Academy of Music examination tape, some chatter is from a conversation between George Martin and Apple office manager Alistair Taylor, and a chord from a recording of ...
John Lennon left behind a huge musical legacy when he died in 1980, as well as two sons: Julian Lennon and Sean Ono Lennon. Here's what to know about them both.
List of songs recorded by the Beatles; The Beatles albums discography; The Beatles videography; Outline of the Beatles; The Beatles timeline; Apple Records discography, the albums and singles of the Beatles' record label, many of which had involvement by members of the Beatles; The Beatles bootleg recordings; The Beatles' recording sessions
2. "Come and Get It" by Badfinger. 1969 Written and produced by Paul McCartney, this song became a top 10 hit for Badfinger, a band signed to the Beatles’ Apple label.
Paul and the late Linda McCartney’s son (and youngest offspring), James McCartney has released a new song with his close friend and John Lennon’s son, Sean Ono Lennon. The pair co-wrote the ...
In December 1965, the Beatles' Rubber Soul album was released to wide critical acclaim. [2] According to author David Howard, the limits of pop music "had been raised into the stratosphere" by the release, resulting in a shift in focus away from singles to creating albums of consistently high quality. [3]