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In the teachings of the traditional Christian churches, the sacraments derive their saving power from the passion and resurrection of Christ, upon which the salvation of the world entirely depends. [1] The redemptive value of the resurrection has been expressed through Christian art, as well as being expressed in theological writings.
Pages in category "Glorious Mysteries" ... Resurrection of Jesus This page was last edited on 12 August 2014, at 21:39 (UTC). Text is available under the Creative ...
The resurrection of Jesus (Biblical Greek: ἀνάστασις τοῦ Ἰησοῦ, romanized: anástasis toú Iēsoú) is the Christian belief that God raised Jesus from the dead on the third day [note 1] after his crucifixion, starting – or restoring [web 1] [note 2] – his exalted life as Christ and Lord.
This resulted in the creation of the sketch Christ's Appearance to Mary Magdalene at the Resurrection (brown paper, watercolour, whitewash, Italian pencil, 26.3 × 40 cm, State Tretyakov Gallery, Inventory No. 8600 ob.) [63] [64] [65] In comparison to the 1835 painting, the subsequent sketch evinces a greater sense of impetus and movement in ...
The Gospels, Acts and Paul describe several resurrection appearances of Jesus. An overview is given below. Paul (c. 53–54) Mark 16:1-8 (66–70) Matthew (70-110)
Analogously, the Via Lucis, when celebrated in fidelity to the Gospel text, can effectively convey a living understanding to the faithful of the second moment of the Paschal event, namely the Lord's Resurrection. The Via Lucis is potentially an excellent pedagogy of the faith, since "per crucem ad lucem" [through the Cross (one comes) to the ...
Neither group includes Easter/the Resurrection, which had a unique higher status. The group in art are: Annunciation, Nativity, Presentation, Baptism, Raising of Lazarus, Transfiguration, Entry into Jerusalem, Crucifixion of Jesus, Harrowing of Hell, Ascension, Pentecost, Dormition of the Theotokos (Death of the Virgin). [3]
The Resurrection of Christ (1499–1502), also called The Kinnaird Resurrection (after a former owner of the painting, Lord Kinnaird), is an oil painting on wood by the Italian High Renaissance master Raphael. The work is one of the earliest known paintings by the artist, executed between 1499 and 1502.