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The poem opens with the introduction of Belinda and her company of pets: Ink (the kitten), Blink (the mouse), Mustard (the dog) and Custard (the cowardly dragon). Everyone is fond of bragging and boasting about their bravery, except Custard. Despite his frightening looks, the dragon cries for a nice safe cage and gets tickled mercilessly.
Title Page of a 1916 US edition. A Child's Garden of Verses is an 1885 volume of 64 poems for children by the Scottish author Robert Louis Stevenson.It has been reprinted many times, often in illustrated versions, and is considered to be one of the most influential children's works of the 19th century. [2]
A US Navy chaplain reads an excerpt of Niemöller's poem during a Holocaust Days of Remembrance observance service in Pearl Harbor; 27 April 2009. At the United States Holocaust Memorial Museum in Washington, D.C., the quotation is on display, and the museum website has a discussion of the history of the quotation.
“Where the Sidewalk Ends”, the title poem and also Silverstein’s best known poem, encapsulates the core message of the collection. The reader is told that there is a hidden, mystical place "where the sidewalk ends", between the sidewalk and the street. The poem is divided into three stanzas. Although straying from a consistent metrical ...
"If—" is a poem by English poet Rudyard Kipling (1865–1936), written circa 1895 [1] as a tribute to Leander Starr Jameson. It is a literary example of Victorian-era stoicism. [2] The poem, first published in Rewards and Fairies (1910) following the story "Brother Square-Toes", is written in the form of paternal advice to the poet's son ...
I Never Saw Another Butterfly: Children's Drawings and Poems from Terezin Concentration Camp, 1942–1944 is a collection of works of art and poetry by Jewish children who lived in the concentration camp Theresienstadt. They were created at the camp in secret art classes taught by Austrian artist and educator Friedl Dicker-Brandeis.
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Gwendolyn B. Bennett (July 8, 1902 – May 30, 1981) was an American artist, writer, and journalist who contributed to Opportunity: A Journal of Negro Life, which chronicled cultural advancements during the Harlem Renaissance.