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side(ways) and slightly back; back and slightly leftward (for the left foot) or rightward (for the right foot) in contra body movement position (CBMP): forward in CBMP (i.e., the moving foot is placed directly in front of the supporting foot), forward and across in CBMP (i.e., the moving foot crosses in front of the supporting foot), back in ...
The direction may be sideways, diagonal or even curving. Sizes of steps may vary. This also concerns the second, "Together", step: the moving foot may land right beside the standing foot or leave some space, or even barely move from its previous position. Timing may vary. Typical timings in ballroom dances are qqS (1/4, 1/4, 1/2) and SaS ("slow ...
The front foot moves one foot-length forward, increasing stability and making it possible to perform a strong attack with the rear foot. Kōkutsu-dachi (後屈立, back long stance) This is a mirror image of zenkutsu-dachi, where the rear leg is bent strongly at the knee and the front leg is either straight or slightly bent, depending on the style.
Sitting kneel: where the thighs are near horizontal and the buttocks sit back on the heels with the upper body vertical - for example as in Seiza, Virasana, and Vajrasana (yoga) Taking a knee: where the upper body is vertical, one knee is touching the ground while the foot of the other leg is placed on the ground in front of the body
The leader steps forward on either foot whilst the follower steps backward on the opposing foot (e.g.: the leader steps forward on their right foot whilst the follower steps back on their left). Both partners will then step to the side on the other foot, and conclude the figure by closing the first foot beside the second (hence the name "closed ...
Footwork is essential in boxing.. Footwork is a martial arts and combat sports term for the general usage of the legs and feet in stand-up fighting.Footwork involves keeping balance, closing or furthering the distance, controlling spatial positioning, and/or creating additional momentum for strikes.
The plan has gone so sideways that the only way she can continue putting one foot in front of the other is to keep her eye on the prize, which was the end result that she was hoping for.
This gives the figure a more dynamic, or alternatively relaxed appearance. In the frontal plane this also results in opposite levels of shoulders and hips, for example: if the right hip is higher than the left; correspondingly the right shoulder will be lower than the left, and vice versa.