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"Tom Hark" is an instrumental South African kwela song from the 1950s, believed to have been composed by Jack Lerole. [1] The song was arranged for penny whistle and first recorded by Elias and His Zig-Zag Jive Flutes – a South African band formed by pennywhistlers Jack and his brother Elias Lerole – and released in 1956. [ 1 ]
The "jive flute" in the name Elias and His Zig-Zag Jive Flutes is the penny whistle. [2] In 1956, the four were signed to EMI South Africa by the label's "black music" record producer, Rupert Bopape. [2] One of the tunes they recorded was "Tom Hark". [2]
The Piranhas formed in 1977, and were originally part of the Brighton punk scene, first coming to prominence when DJ John Peel started playing their single "I Don't Want My Body" on his BBC Radio 1 programme, but achieved their biggest success with their cover version of the South African kwela song "Tom Hark".
Lerole was the bandleader of Elias and His Zig-Zag Jive Flutes, who had an international hit record in 1958 with "Tom Hark". He co-founded the fusion band Mango Groove in 1984, and later collaborated with Dave Matthews Band , a rock band from the United States.
A Flute method is a type of specific textbook-style pedagogy for learning to play the flute. It often contains fingering charts, scales , exercises, and occasionally etudes . These exercises are often presented in different keys in ascending order to aid in difficulty, known as methodical progression, or to focus on isolated aspects like ...
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The bass flute is an octave lower than the concert flute, and the contrabass flute is an octave lower than the bass flute. Less commonly seen flutes include the treble flute in G, pitched one octave higher than the alto flute; soprano flute, between the treble and concert; and tenor flute or flûte d'amour in B ♭ , A or A ♭ [ citation ...
These chord shapes can be moved across the fretboard, unlike the chord shapes of standard tuning. More movable chord-shapes. In all guitar tunings, the higher-octave version of a chord can be found by translating a chord by twelve frets higher along the fretboard. [6] In every regular tuning, for example in all-fourths tuning, chords and ...