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In Balangaw, the instrument is called dad-ayu. In Bontoc, it is known as diwdiw-as. In Tingguian, dwdew-as. In Kankanai, diwas. [4] In these variations, the number of pipes ranges from five to eight. The size, length, and radius of the instruments vary from one ethnic group to another, but exact measurements are not required.
"Philippine Music Instruments". National Commission for Culture and the Arts. Archived from the original on December 1, 2008; Manuel, E. Arsenio (1978). "Towards an Inventory of Philippine Musical Instruments: A Checklist of the Heritage from Twenty-three Ethnolinguistic Groups" (PDF). Asian Studies.
The Cordillera region is known for its unique musical instruments including the gangsa kalinga, nose flute, bamboo flute, buzzer, bangibang, tongatong, diwdiw-as, saggeypo, and bamboo zither. The region is also known for their dance, arts, and crafts like wood-carving, ibaloi basket, loom weaving, tinalik, loinclothes called ikat, amulets ...
Xylophone-like instrument with gourd resonators, struck with mallets, with a two level keyboard so it can play the full chromatic scale: 111.222-4 Hawaii: ukulele [65] String instrument derived from the Portuguese braguinha, from the Hawaiian uku lele, jumping flea, referring to the swift fingerwork the instrument requires chords on a ukulele ...
The takumbo is a parallel-stringed tube zither made from bamboo, and is found in the Philippines.It is made from a heavy bamboo tube about 40 cm long, with both ends closed with a node.
The Filipino bandurria (also banduriya [7]) is used in an orchestra of plucked string instruments called rondalla. It is tuned a step lower than the Spanish version, that is, low to high: F# B E A D G. [ 8 ] Filipino bandurrias have been made with coconuts, [ 9 ] and as banjoleles with banjo bodies and goatskin soundboards.
The paldong is used for serenades, courting women, for leisure and to pass the time. Melodies are mostly improvised. The song titles describe what the melody is trying to mimic, such as the chirping of a bird, the cry of an eagle, the buzz of a wasp, etc.
Drawing of tattooed Kankanaey people in Mankayan, Benguet, by the French naturalist Antoine-Alfred Marche (1887) [13] Like most ethnic groups, the Kankanaey built sloping terraces to maximize farm space in the rugged terrain of the Cordillera Administrative Region. The Kankanaey differ in the way they dress.