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A new Protestant interior design scheme was established in many German Lutheran churches during the 18th century, following the example of the court chapel of Wilhelmsburg Castle of 1590: The connection of altar with baptismal font, pulpit and organ in a vertical axis. The central painting above the altar was replaced with the pulpit.
Many churches were built in this style, notably the Cathedral of the Dormition at Smolensk and the Cathedral of the Presentation at Solvychegodsk. In the design of many churches the Byzantine arrangement of tented roof or onion dome is replaced with a larger dome, usually on a tall, often polygonal, tambour.
The church building has many symbolic meanings; perhaps the oldest and most prominent is the concept that the church is the Ark of Salvation (as in Noah's Ark) in which the world is saved from the flood of temptations. Because of this, most Orthodox churches are rectangular in design.
The modern synagogue, besides containing the minister's study, trustees' rooms, choir-rooms, and organ-loft devote much space to school purposes; generally, the entire lower floor is used for classrooms. The interior treatment of the synagogue allows great latitude in design.
St. Paul's is unusual because all aspects of the design are based on a concept by the Tiffany Company: chandeliers, glass mosaics, tile work, a glass jeweled altar rail, a baptistery of wood and plaster filigree, decorative stenciling of the ceiling, walls and organ pipes, pews and support members, stunning windows by Tiffany and Tiffany ...
Interior of a Gothic Church is an oil on panel painting by Paul Vredeman de Vries. [1] The painting was completed in 1595 and is currently on display at the Memorial Art Gallery in Rochester, New York. [1] Interior of a Gothic Cathedral by Paul Vredeman de Vries, 1612, Oil on wood, from the Los Angeles County Museum of Art [2]