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Rigoletto is an opera in three acts [a] by Giuseppe Verdi.The Italian libretto was written by Francesco Maria Piave based on the 1832 play Le roi s'amuse by Victor Hugo.Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851.
La donna è mobile" (pronounced [la ˈdɔnna ˌɛ mˈmɔːbile]; "Woman is fickle") is the Duke of Mantua's canzone from the beginning of act 3 of Giuseppe Verdi's opera Rigoletto (1851). The canzone is famous as a showcase for tenors. Raffaele Mirate's performance of the bravura aria at
"Caro nome che il mio cor" (Sweet name that made my heart), or "Caro nome" for short, is an aria for coloratura soprano from act 1 of Verdi's opera Rigoletto. It is part of the standard Italian soprano vocal repertoire, [ 1 ] featured in numerous anthologies for soprano singers and in albums of highlights from the opera.
Lyric Opera of Chicago has announced its 2024-25 season, its 70th, composed of four “classic operas” and two contemporary works not previously seen in Chicago, along with various special ...
Bella figlia dell'amore" ("Beautiful daughter of love") is a vocal quartet from the last act of Giuseppe Verdi's 1851 opera Rigoletto. It has been described as a "masterful quartet that is an intricate musical depiction of four personalities and their overlapping agendas", [1] and has been performed and recorded by many notable artists.
This is a list of recordings of Rigoletto, an 1851 opera by Giuseppe Verdi with an Italian libretto by Francesco Maria Piave based on the 1832 play Le roi s'amuse by Victor Hugo. It was first performed at La Fenice in Venice on 11 March 1851.
Galli-Curci first arrived in the United States in the autumn of 1916 as a virtual unknown. Her stay in the US was intended to be brief, but the acclaim she received for her historic American debut as Gilda in Rigoletto in Chicago on 18 November 1916 (her 34th birthday) was so wildly enthusiastic that she accepted an offer to extend her association with the Chicago Opera Association, where she ...
Kelsey made his debut at the Metropolitan Opera in New York City as Schaunard in Puccini's La bohème on 29 March 2008. Other roles at the Met have included Monterone in Verdi's Rigoletto (role debut on 13 January 2011), Marcello in Puccini's La bohème (23 September 2014), Germont in Verdi's La traviata (11 December 2014), Peter in Humperdinck's Hänsel und Gretel (18 December 2017), the ...