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Popule meus (My people) is a motet for Good Friday by Tomás Luis de Victoria.He set a liturgical text from the Improperia, which contains the Greek-Latin Trisagion, prescribed for use in the Catholic responsory for Good Friday.
This responsory has some parallels with the Book of Joel, e.g. "plange quasi virgo" ("Lament like a girl", 1:8), "accingite vos et plangite sacerdotes ululate ministri altaris" ("Put on sackcloth and mourn, you priests; Wail, you ministers of the altar", 1:13) and "magnus enim dies Domini et terribilis valde" ("for the day of Yahweh is great ...
An English translation Sacris solemniis iuncta sint gaudia, et ex praecordiis sonent praeconia; recedant vetera, nova sint omnia, corda, voces, et opera. Noctis recolitur cena novissima, qua Christus creditur agnum et azyma dedisse fratribus, iuxta legitima priscis indulta patribus. Post agnum typicum, expletis epulis, Corpus Dominicum datum ...
Nuper rosarum flores ("Recently Flowers of Roses/The Rose Blossoms Recently"), is a motet composed by Guillaume Dufay for the 25 March 1436 consecration of the Florence Cathedral, on the occasion of the completion of the dome built under the instructions of Filippo Brunelleschi.
On hearing "an old priest deliver a sermon on the light and the filiation", [2] Messiaen began ruminating on the transfiguration story in the 1940s. By the time he began to write the music, he had not composed vocal music for seventeen years, since his solo choral work Cinq rechants.
The book Irmologion was created later as a notated chant book by the reformers at the Stoudios Monastery, although not all Irmologia have musical notation. [13] Concerning the traditional repertoire of these books, a Studites edition can be distinguished from the one at Sinai .
Federation of Evangelical Baptist Churches of France; Fédération des Églises évangéliques baptistes de France: Abbreviation: FEEBF: Classification
The tune, Zahn No. 983, was written ten years later by Johann Crüger and first appeared in Crüger's Neues vollkömmliches Gesangbuch Augsburgischer Confession. [1] [3]The tune has been used many times, including settings by J.S. Bach: one of the Neumeister Chorales for organ, BWV 1093, [4] two movements of the St John Passion, and three of the St Matthew Passion.