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  2. Rasgueado - Wikipedia

    en.wikipedia.org/wiki/Rasgueado

    Rasgueado (also called Golpeado, [1] Rageo (spelled so or Rajeo), Rasgueo or Rasgeo in Andalusian dialect and flamenco jargon, or even occasionally Rasqueado) is a guitar finger strumming technique commonly associated with flamenco guitar music. It is also used in classical and other fingerstyle guitar picking techniques.

  3. Flamenco guitar - Wikipedia

    en.wikipedia.org/wiki/Flamenco_guitar

    Flamenco guitarists are known as tocaores (from an Andalusian pronunciation of tocadores, "players") and the flamenco guitar technique is known as toque. Flamenco players tend to play the guitar between the sound hole and the bridge, but as close as possible to the bridge, to produce a harsher, rasping sound quality.

  4. Falseta - Wikipedia

    en.wikipedia.org/wiki/Falseta

    A Falseta is part of Flamenco music. They are usually short melodies played by the guitarist(s) in between sung verses, or to accompany dancers. In a guitar solo, the artists play already created falsetas or improvise new falsetas which are then put together to form the whole piece. A falseta can be roughly comparable to a lick in jazz or blues ...

  5. 'I Took Flamenco Lessons And Discovered What It Means To Be ...

    www.aol.com/lifestyle/took-flamenco-lessons...

    By enrolling in flamenco classes for the first time, WH assistant editor Naydeline Mejia uncovered a new way to her duende, or most authentic self. 'I Took Flamenco Lessons And Discovered What It ...

  6. Oscar Herrero - Wikipedia

    en.wikipedia.org/wiki/Oscar_Herrero

    Óscar Herrero is a Flamenco guitarist from Spain. He was born in Tomelloso ( Ciudad Real ) on 12 March 1959. Oscar Herrero has authored several flamenco guitar teaching DVDs and didactic textbooks.

  7. Siguiriyas - Wikipedia

    en.wikipedia.org/wiki/Siguiriyas

    The more modern forms are accompanied by the guitar, where the nuances of the cante make it one of the most difficult styles to accompany and interpret. [ 8 ] Traditionally, the verses of siguiriyas are constructed of two short 6 syllable lines, followed by a longer 11 syllable line, then ending with another 6 syllable line, the rhythm being ...