Search results
Results From The WOW.Com Content Network
Marah Roesli was born in Padang, West Sumatra on 7 August 1889, and died in Bandung, West Java on 17 January 1968. He was one of the most well-known Indonesian authors from the Balai Pustaka period. He is famous for his novel Sitti Nurbaya , which tells the story of a teenage girl who was forced to marry a man much older than herself to ...
According to Bakri Siregar, the diction in Sitti Nurbaya does not reflect Marah Rusli's personal style, but a "Balai Pustaka style" of formal Malay, as required by the state-owned publisher. As a result, Rusli's orally-influenced story telling technique, often wandering from the plot to describe something "at the whim of the author", [ a ...
Cinta dan Hawa Nafsu; Marah Roesli (1889-1968) Sitti Nurbaya (1922) La Hami (1924) Anak dan Kemenakan (1956) Muhammad Yamin (1903-1962) Tanah Air (1922) Indonesia, Tumpah Darahku (1928) Kalau Dewi Tara Sudah Berkata; Ken Arok dan Ken Dedes (1934) Nur Sutan Iskandar (1893-1975) Apa Dayaku karena Aku Seorang Perempuan (1923) Cinta yang Membawa ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
Harry Roesli is the grandson of Marah Roesli, a famous Indonesian writer from Minangkabau background. Harry Roesli wed to Kania Perdani Handiman, the couple have twin sons, Layala Khrisna Patria and Lahami Khrisna Parana.
Large-scale Mongol invasions of India ceased and the Delhi sultans used the respite to recover the frontier towns like Multan, Uch, and Lahore, and to punish the local ranas and rais who had joined hands with either the Khwarazmian or the Mongol invaders.
The Indonesian literary critic Zuber Usman contrasts Kalau Tak Untung with the earlier novel Sitti Nurbaya (1923) by Marah Rusli.He notes that both begin in a similar fashion and have the same general pattern, but, unlike Sitti Nurbaya with its background in Minang nobility, Pengaruh Keadaan portrays simple villagers without noble blood. [4]
Soeman was interested in these stories' use of suspense, which set them apart from the works of traditionally influenced Malay authors such as Marah Rusli. [37] According to the cultural critic Sutan Takdir Alisjahbana , Soeman, in his construction of suspense, mimicked that of Western detective stories, rather than adapt the style for an ...