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A collection of effects pedals, including several distortions: a MXR Distortion + (top row, second from left), and a Pro Co Rat, Arbiter Fuzz Face, and Electro-Harmonix Big Muff (all middle row, from left). Distortion pedals are a type of effects unit designed to add distortion to an audio signal to create a warm, gritty, or fuzzy character.
The Tone Bender MKII is a three transistor circuit [1] based on the MKI.5 version, but with an additional amplifier gain stage. Sola Sound produced the circuit for Vox (who sold their version as the "Vox Tone Bender Professional MKII"), [5] Marshall (who sold their version as the "Marshall Supa Fuzz"), [6] and Rotosound (who sold their version as the "RotoSound Fuzz Box". [7]
To avoid problems with pedals being damaged during live performances, Hetfield keeps his effect pedals in a rack along with his amplifiers and his guitar technician controls them through a pedalboard sidestage. The pedal controller allows him to change between different effect pedals and amplifiers. Hetfield's live rig in 2008 included:
Pedal-style multi-effects range from fairly inexpensive stompboxes that contain two pedals and a few knobs to control the effects to large, expensive floor units with many pedals and knobs. Rack-mounted multi-effects units may be mounted in the same rack as preamplifiers and power amplifiers.
Over the years, the company's boutique pedals would be used by notable musicians including Lou Reed and R.E.M. [3] The company's growth was never steady; Blanche moved Frantone repeatedly, being gentrified out of several NYC-area locations. [4] In the early 1990s, Blanche built an effects pedal for herself named the "Fuzzy-Wuzzy".
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