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Photograph of a man and woman wearing traditional clothing, taken in Osaka, Japan. There are typically two types of clothing worn in Japan: traditional clothing known as Japanese clothing (和服, wafuku), including the national dress of Japan, the kimono, and Western clothing (洋服, yōfuku) which encompasses all else not recognised as either national dress or the dress of another country.
Traditional Japanese magic performance art (手妻, also called wazuma 和妻) combining sleight-of-hand with theatrical elements, rooted in street performance and temple entertainment traditions. [6] Classic repertoire includes: [7] Paper magic (連理の曲, 紙片の曲) - transforming paper through cutting and restoration
Umeda Arts Theatre, the Musicals of Japan Origin project, [12] Meijiza, and other companies have also produced original musicals in Japan. Japan has also seen productions of musicals from South Korea, France, Austria, and other places around the world that have not had English-language productions. Elisabeth is the most famous of these.
Kabuki (歌舞伎, かぶき) is a classical form of Japanese theatre, mixing dramatic performance with traditional dance. Kabuki theatre is known for its heavily stylised performances, its glamorous, highly decorated costumes, and for the elaborate kumadori make-up worn by some of its performers.
The sokutai (束帯) is a traditional Japanese outfit worn only by courtiers, aristocrats and the emperor at the Japanese imperial court.The sokutai originated in the Heian period, and consists of a number of parts, including the ho (outer robe), shaku (笏), a flat ritual baton or sceptre, and the kanmuri (冠), a cap-shaped black lacquered silk hat with a pennon.
Apart from themes of madness in love, another common theme in kyōran mono is madness due to the loss of a child: in the Edo period, a child could be taken away to be sold to circus troupes. In kyōran mono , the central character of the child's mother commonly loses her mind to grief, and becomes a traveling artist who searches for her child ...
The convention of wearing black to imply that the wearer is invisible on stage is a central element in bunraku puppet theatre as well. Kuroko will wear white or blue in order to blend in with the background in a scene set, for example, in a snowstorm, or at sea, in which case they are referred to as "Yukigo" (雪衣, snow clad) or "Namigo" (波衣, wave clad) respectively.
Illustration of woman wearing dujin (top) and kakan (skirt).. The ryusou shows a combination of Chinese and Japanese influences as well as local, native originality. [7] Robes which crossed in the front was worn by both the working and upper classes; however, they differed in length (from knee to ankle length). [7]