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A belt, waist-wrap or sash of varying sizes, lengths and shapes worn with both traditional Japanese clothing and uniforms for Japanese martial arts styles. Originating as a simple thin belt in Heian period Japan, the obi developed over time into a belt with a number of different varieties, with a number of different sizes and proportions ...
Photograph of a man and woman wearing traditional clothing, taken in Osaka, Japan. There are typically two types of clothing worn in Japan: traditional clothing known as Japanese clothing (和服, wafuku), including the national dress of Japan, the kimono, and Western clothing (洋服, yōfuku) which encompasses all else not recognised as either national dress or the dress of another country.
A young woman modelling a jūnihitoe. The jūnihitoe (十二単, lit. ' twelve layers '), more formally known as the itsutsuginu-karaginu-mo (五衣唐衣裳), is a style of formal court dress first worn in the Heian period by noble women and ladies-in-waiting at the Japanese Imperial Court.
The sokutai (束帯) is a traditional Japanese outfit worn only by courtiers, aristocrats and the emperor at the Japanese imperial court.The sokutai originated in the Heian period, and consists of a number of parts, including the ho (outer robe), shaku (笏), a flat ritual baton or sceptre, and the kanmuri (冠), a cap-shaped black lacquered silk hat with a pennon.
Apprentice geiko (舞妓, "dancing child") who undergo years of training in traditional arts before becoming full geiko, typically beginning around age 15. Manzai A traditional Japanese comedy, a style of owarai , usually performed by a duo, ( manzaishi )—a straight man ( tsukkomi ) and a funny man ( boke )—trading jokes at great speed.
Illustration of woman wearing dujin (top) and kakan (skirt).. The ryusou shows a combination of Chinese and Japanese influences as well as local, native originality. [7] Robes which crossed in the front was worn by both the working and upper classes; however, they differed in length (from knee to ankle length). [7]
The first instances of kimono-like garments in Japan were traditional Chinese clothing introduced to Japan via Chinese envoys in the Kofun period (300–538 CE; the first part of the Yamato period), through immigration between the two countries and envoys to the Tang dynasty court leading to Chinese styles of dress, appearance, and culture becoming extremely popular in Japanese court society. [1]
The convention of wearing black to imply that the wearer is invisible on stage is a central element in bunraku puppet theatre as well. Kuroko will wear white or blue in order to blend in with the background in a scene set, for example, in a snowstorm, or at sea, in which case they are referred to as "Yukigo" (雪衣, snow clad) or "Namigo" (波衣, wave clad) respectively.