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As a process, ear training is in essence the inverse of reading music, which is the ability to decipher a musical piece by reading musical notation. Ear training is typically a component of formal musical training and is a fundamental, essential skill required in music schools and the mastery of music.
The ability to sight-read partly depends on a strong short-term musical memory. [5] An experiment on sight reading using an eye tracker indicates that highly skilled musicians tend to look ahead further in the music, storing and processing the notes until they are played; this is referred to as the eye–hand span.
The Standard Course of Lessons on the Tonic Sol-fa Method of Teaching to Sing was published in 1858. In 1872, Curwen changed his former course of using the Sol-fa system as an aid to sight reading, when that edition of his Standard Course of Lessons excluded the staff and relied solely on Tonic Sol-fa. In 1879 the Tonic Sol-Fa College was opened.
Better cameras and increases in processing power have enabled a range of mobile applications, both on the Google Play Store and the Apple Store. Frequently the focus is on sight-playing (see sight-reading) – converting the sheet music into sound that is played on the device. iSeeNotes by Gear Up AB [63] NotateMe Now by Neuratron [64]
Seven clefs are used for this: treble (2nd line G-clef), bass (4th line F-clef), baritone (3rd line F-clef or 5th line C-clef, although in France and Belgium sight-reading exercises for this clef, as a preparation for clef transposition practice, are always printed with the 3rd line F-clef), and C-clefs on the four lowest lines; these allow any ...
The practical exams concentrate on a particular instrument (i.e., piano, guitar, flute) and style of music (i.e., classical, jazz, popular). They cover elements such as playing set pieces, technical work including scales, sight reading, aural, musical knowledge and improvisation. [3]