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Back view of a detail from a textile from Sumba depicting an ancestor figure (Marapu) using a supplementary of the warp. Supplementary weaving is a decorative technique in which additional threads are woven into a textile to create an ornamental pattern in addition to the ground pattern. The supplementary weave can be of the warp or of the weft ...
These techniques include designs worked by a supplementary weave warp, embroidery, the application of beads and shells, and, occasionally, tufting with supplementary yarns. The figures used in these textiles appear in light-colored yarns on plain backgrounds of dark blue, red, brown, or black. Lau pahudu are skirts worked with supplementary warp.
Three patterns for pants (2022) Pattern making is taught on a scale of 1:4, to conserve paper. Storage of patterns Fitting a nettle/canvas-fabric on a dress form. In sewing and fashion design, a pattern is the template from which the parts of a garment are traced onto woven or knitted fabrics before being cut out and assembled.
Ada Dietz (1882 – 1981) was an American weaver best known for her 1949 monograph Algebraic Expressions in Handwoven Textiles, which defines weaving patterns based on the expansion of multivariate polynomials. [9] J. C. P. Miller used the Rule 90 cellular automaton to design tapestries depicting both trees and abstract patterns of triangles. [10]
Soumak is a type of flat weave, somewhat resembling kilim, but with a stronger and thicker weave, a smooth front face and a ragged back, where kilim is smooth on both sides. Soumak lacks the slits characteristic of kilim, as it is usually woven with supplementary weft threads as continuous supports.
Songket weaving is done in two stages, weaving the basic cloth with even or plain weaving and weaving the decoration inserted into basic cloth, this method is called "inlay weaving system". [14] The shining gold, silver or silk threads were inserted and woven into the plain weave base cloth in certain motifs, creating a shimmering effect of ...