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The porcelain of Capodimonte, and later Naples, was a "superb" translucent soft-paste, "more beautiful" but much harder to fire than the German hard-pastes, [2] or "a particularly clear, warm, white, covered with a mildly lustrous glaze". [3] The Capodimonte mark was a fleur-de-lys in blue, or impressed in relief inside a circle. [4]
Coronation of the Virgin with Saints Mark and Julian: 1495–1500 Bartolomeo Schedoni: Holy family & Saints: 1607–1611 Bartolomeo Schedoni: Ecce Homo: 1609 Bartolomeo Schedoni: St. Sebastian healed before women: −1615 Bartolomeo Schedoni: Portrait of Vincenzo Grassi: 1613–1614 Bartolomeo Schedoni: Cupid: 1610–1612 Bartolomeo Schedoni ...
Porcelain room in the Palacio Real, Madrid, designed by Carlo Schepers in the 1770s. Gricci had made a chinoiserie porcelain room, the Porcelain boudoir of Maria Amalia of Saxony, at the Palace of Portici near Naples (now moved to the Palace of Capodimonte), and was soon asked to make another one at the Palace of Aranjuez, which he made and installed between 1763 and 1765, at a cost of 571,555 ...
Pages in category "Paintings in the Museo di Capodimonte" The following 105 pages are in this category, out of 105 total. This list may not reflect recent changes .
In 1738, King Charles VII of Naples and Sicily (later King Charles III of Spain) decided to build a hunting lodge on the Capodimonte hill.He then decided that he would instead build a grand palace, partly because his existing residence, the Palace of Portici, was too small to accommodate his court, and partly because he needed somewhere to house the fabulous Farnese Collection which he had ...
The Madonna of Divine Love is a c.1516-1518 oil on wood painting by Raphael, now in the National Museum of Capodimonte in Naples. It depicts Saints Mary and Elizabeth with the baby Jesus and a genuflecting Saint John holding a cross of reeds. Jesus, assisted by Saint Elizabeth, appears to be blessing Saint John. In the shadows stands Saint Joseph.
Pietà is a c. 1600 oil on canvas painting by Annibale Carracci, the earliest surviving work by him on the subject, which was commissioned by Odoardo Farnese.It moved from Rome to Parma to Naples as part of the Farnese collection and is now in the National Museum of Capodimonte in Naples. [1]
The Flagellation of Christ is a painting by the Italian Baroque painter Caravaggio, now in the Museo Nazionale di Capodimonte, Naples. [1] It is dated to 1607, and may have been reworked by the artist in 1610. It is not to be confused with Christ at the Column, another Flagellation by Caravaggio of the same period.