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Folk art in the United States refers to the many regional types of tangible folk art created by people in the United States of America.Generally developing in the late 18th and early 19th centuries, when settlers revived artistic traditions from their home countries in a uniquely American way, folk art includes artworks created by and for a large majority of people.
Folk art covers all forms of visual art made in the context of folk culture. Definitions vary, but generally the objects have practical utility of some kind, rather than being exclusively decorative. The makers of folk art are typically trained within a popular tradition, rather than in the fine art tradition of the culture.
Earl Cunningham (1893–1977) was a twentieth-century American folk artist. Cunningham was a self-taught artist who painted mostly landscapes of the coasts of Maine, New York, Nova Scotia, Michigan, North and South Carolina, Georgia and Florida. He used vivid colors, flat perspective, and a few recurrent themes.
Even as the identification of folk groups spreads to all areas of our lives, the group most commonly associated with folk art involves the geographic location of a community. The art and artifacts from different communities and different regions are different; the origin of an individual pieces can frequently be recognized by its shape ...
Folk art, Romani art Roses and Castles is a style of art used to decorate narrowboats and their fittings. As well as depicting roses and/or castles , the designs often include other flowers and landscapes.
Maud Kathleen Lewis (née Dowley; March 7, 1903 – July 30, 1970) was a Canadian folk artist from Nova Scotia. [2] She lived most of her life in poverty in a small house in Marshalltown, Nova Scotia.