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Its sheet music sales made it one of the most commercially successful songs in the UK and United States around the beginning of the 20th century, and also "perhaps the most pirated musical piece prior to the Internet", according to copyright scholar Adrian Johns. [1]
Preludes for Piano is a set of four short pieces for piano solo composed by John Ireland between 1913 and 1915. They were published in the latter year. [1] [2] [3] The pieces, with typical timings, are: The Undertone (3 minutes) [4] Obsession (3 minutes) [5] The Holy Boy (composed on Christmas Day 1913; subtitled A Carol of the Nativity; 4 ...
"Speak, Music!" song: voice and piano: Mrs E. Speyer, Ridghurst [40] A. C. Benson: Boosey 42: 1901: Grania and Diarmid: incidental: music for a play by George Moore and W. B. Yeats, for orchestra and contralto soloist 1. Incidental Music and Funeral March 2. Song, "There are seven that pull the thread" Henry J. Wood — Novello 42.1: 1901 ...
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Sancta Civitas (The Holy City) is an oratorio by Ralph Vaughan Williams. Written between 1923 and 1925, it was his first major work since the Mass in G minor two years previously. Vaughan Williams began working on the piece from a rented furnished house in the village of Danbury, Essex, found for him by his former pupil, Cecil Armstrong Gibbs. [1]
The first of Weatherly's well-known works was the hymn "The Holy City", written in 1892 to music by the British composer Stephen Adams. The song includes the refrain "Jerusalem, Jerusalem!". He wrote the song "Danny Boy" while living in Bath in 1910, but it did not meet with much success.
The Duolingo x Loog Piano is a 37-key portable digital piano created through a partnership between Duolingo and Loog. It features velocity-sensitive keys, built-in speakers, and ports for USB-C, a sustain pedal, and headphones. The piano is designed to work with Duolingo's music lessons. [86]
The "Maiden's Prayer" is quoted in the 1930 opera Rise and Fall of the City of Mahagonny by Kurt Weill and Bertolt Brecht. It appears midway through act 1, played on an out-of-tune piano at a honky-tonk frequented by prostitutes and their clients. Jakob Schmidt, one of the denizens of Mahagonny, refers to the song as "ewige Kunst" ("eternal art").