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  2. Marbleizing - Wikipedia

    en.wikipedia.org/wiki/Marbleizing

    Marbleizing (also spelt marbleising [1]) or faux marbling is the preparation and finishing of a surface to imitate the appearance of polished marble.It is typically used in buildings where the cost or weight of genuine marble would be prohibitive.

  3. Scagliola - Wikipedia

    en.wikipedia.org/wiki/Scagliola

    Italian scagliola top, second half of the 18th century. Scagliola (from the Italian scaglia, meaning "chips") is a type of fine plaster used in architecture and sculpture.The same term identifies the technique for producing columns, sculptures, and other architectural elements that resemble inlays in marble. [1]

  4. Fireplace mantel - Wikipedia

    en.wikipedia.org/wiki/Fireplace_mantel

    The Adam mantels are in wood enriched with ornament, cast in molds, sometimes copied from the carved wood decoration of old times. [1] Mantels or fireplace mantels can be the focus of custom interior decoration. A mantel traditionally offers a unique opportunity for the architect/designer to create a personal statement unique to the room they ...

  5. Fireplace - Wikipedia

    en.wikipedia.org/wiki/Fireplace

    By the 1800s, most new fireplaces were made up of two parts, the surround and the insert. The surround consisted of the mantelpiece and side supports, usually in wood, marble or granite. The insert was where the fire burned, and was constructed of cast iron often backed with decorative tiles.

  6. Faux painting - Wikipedia

    en.wikipedia.org/wiki/Faux_painting

    Faux painting became popular in classical times in the forms of faux marble, faux wood, and trompe-l'œil murals. Artists would apprentice for 10 years or more with a master faux painter before working on their own. Great recognition was awarded to artists who could actually trick viewers into believing their work was the real thing.

  7. Intarsia - Wikipedia

    en.wikipedia.org/wiki/Intarsia

    The start of the practice dates from before the seventh century AD. The technique of intarsia inlays sections of wood (at times with contrasting ivory or bone, or mother-of-pearl) within the solid wood matrix of floors and walls or of tabletops and other furniture; by contrast marquetry assembles a pattern out of veneers glued upon the carcass.