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Kantrum (Khmer: កន្ត្រឹម, Thai: กันตรึม) is a type of folk music played by the Khmer in Isan, Thailand, living near the border with Cambodia. It is a fast, traditional dance music. In its purest form, cho-kantrum, singers, percussion and fiddles dominate the sound. A more modern form using electric instrumentation ...
Cambodia's first alternative music label Yab Moung Records was founded in 2012 and has since recorded and released the first Khmer Hardcore and Death Metal tracks as well as producing a wide range of alternative artists creating unique Khmer blues, rock, hip hop and alternative music.
Cambodian Rocks is a compilation of 22 uncredited, untitled Cambodian psychedelic and garage rock songs from the late 1960s and early 1970s. When the tracks were recorded, musicians in the thriving music scene were combining Western rock and pop genres with their own styles and techniques.
Rom kbach (Khmer: រាំក្បាច់) is a genre of Cambodian popular music and a popular Khmer dance style. Rom kbach has a slower emotional melody similar to Thai music, [1] whereas the Chamrieng Samai music category of romvong has a faster tune. [2]
Cambodian rock of the 1960s and 1970s was a thriving and prolific music scene based in Phnom Penh, Cambodia, in which musicians created a unique sound by combining traditional Cambodian music forms with rock and pop influences from records imported into the country from Latin America, Europe, and the United States.
"Nokor Reach" originated from a folk poetry usually performed with chapei in ancient era for storytelling and to disclose any recent events. [2] [3]The music of "Nokor Reach" was composed between 1938 and 1939 by Prince Norodom Suramarit during the reign of King Sisowath Monivong with help of J. Jekyll and François Perruchot, [1] [4] the Royal Palace's musical instructors.
Mohaori is traditionally a popular Cambodian music played in Khmer society since the late 9th century. Mohaori is still a popular Khmer traditional music played in various occasions and festivities. [2] It is regarded as a popular music for the Cambodian locals to accompanied their custom and traditional celebrations.
After the fall of the Khmer Rouge in 1979, drummer Ouk Sam Art and guitarist Touch Chhatha returned to music work for Cambodia's National Radio station, [7] [better source needed] while Tana became an accomplished manager of fisheries and environmental conservation for the post-Khmer Rouge Cambodian government.