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The last verse of the hymn was written as an imitation of George Herbert's The Temple poem as a tribute by Crossman to Herbert. [3] In the 21st century, the language of the hymn is sometimes updated by hymnal editors, a move which is often lamented by traditional hymnologists who feel that the newer language loses the original meaning and nuance.
Alleluia! Sing to Jesus; Alma Redemptoris Mater; Angels We Have Heard on High; Anima Christi (Soul of my Saviour) Asperges me; As a Deer; As I Kneel Before You (also known as Maria Parkinson's Ave Maria) At That First Eucharist; At the Lamb's High Feast We Sing; At the Name of Jesus; Attende Domine; Aurora lucis rutilat; Ave Maria; Ave maris ...
Songwriter Ian Anderson described the song as "a blues for Jesus, about the gory, glory seekers who use his name as an excuse for a lot of unsavoury things. You know, 'Hey Dad, it's not my fault — the missionaries lied.'" [3] Sean Murphy of PopMatters wrote that, "For “Hymn 43” Anderson sets his sights on the US and in quick order sets about decimating the hypocrisy and myth-making of ...
[1] [2] The Salvation Army adopted the hymn as its favoured processional. [3] The piece became Sullivan's most popular hymn. [1] The hymn's theme is taken from references in the New Testament to the Christian being a soldier for Christ, for example II Timothy 2:3 : "Thou therefore endure hardness, as a good soldier of Jesus Christ."
The Hymn of Jesus was so great a success as to bewilder its composer; he quoted the Biblical verse, "Woe to you when all men speak well of you!". [17] One of the performers at the original Royal College of Music performance later remembered that "To many the work was like a trumpet call in the renaissance of English creative music. To some of ...
You who are our future reward. May our glory be in you Throughout all eternity. Amen: Jesus, the very thought of Thee, with sweetness fills my breast, but sweeter far Thy face to see, and in Thy presence rest. Nor voice can sing, nor heart can frame, nor can the memory find a sweeter sound than Thy blest Name, o Savior of mankind.
In 1969, while at the Fellowship of Methodist Musicians conference, Erik Routley composed a new tune for this hymn, entitled "Woodbury". [9] This was his second attempt to write a tune for the hymn; he had made a previous unsuccessful attempt in the 1930s. [17] This tune appears in the 1982 hymnal of the American Episcopal Church, among others. [9]
In early editions the hymn, in seven stanzas, was indicated as an improved (German: gebessert) version of "Christ ist erstanden". [1] The hymn is in bar form.The Stollen, that is the repeated first part of the melody, sets two lines of text for each repetition, with the remaining four lines of each stanza set to the remainder of the melody.