Search results
Results From The WOW.Com Content Network
Widely popularized by Drake’s lyrics in the song “Daylight,” the phrase “standing on business” is the modern-day version of “don’t just talk about it, be about it.” While the ...
Doc Watson helped popularize "Shady Grove", after presumably learning it from Jean Ritchie, who in turn learned the song from her father. [11]Fairport Convention released a popular version of Matty Groves in 1969 using the traditional "Shady Grove" tune on their album Liege and Lief.
The word "vocalese" is a play on the musical term "vocalise"; the suffix "-ese" is meant to indicate a sort of language. The term was attributed by Jon Hendricks to the jazz critic Leonard Feather to describe the first Lambert, Hendricks, and Ross album, Sing a Song of Basie. [2] Most vocalese lyrics are entirely syllabic, as opposed to melismatic.
The biggest commercial success of the song has been by the French musical project Keedz that recorded it in 2008 and was the title track of their similarly titled album Stand on the Word., [9] The revamped electronic production of the soul and funk song remixed by MiMa made up of Michael Tordjman and Maxime Desprez did not enter the French ...
Discover the latest breaking news in the U.S. and around the world — politics, weather, entertainment, lifestyle, finance, sports and much more.
The following lyrics are taken from the sheet music published in 1906: [1] [2] Verse 1: When I was in the army I was a cavalry man, you know, And whenever I went on parade A magnificent picture I made. Through my galloping here, and my galloping there, This ridiculous habit I got, And I'm hanged if I don't think I'm galloping now
The song was one of several recorded as a demo at George Harrison's Esher home in 1968 before the recording sessions for The Beatles.The Esher demo was first released on Anthology 3 (1996) and the 2018 deluxe edition of The Beatles. [8]
Spin highly recommended the album, praising its "stunning, almost seamless sample-driven tracks." [9] Robert Christgau of The Village Voice gave the album an honorable mention and quipped that it was "West Indian daisy age from boogie-down Toronto", choosing the tracks "Ludi" and "My Definition of a Boombastic Jazz Style" as highlights. [10]