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Porter, James (2001). "Mode §IV: Modal Scales and Traditional Music". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers. Powers, Harold S. (2001). "Mode". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John ...
The following is a list of musical scales and modes. Degrees are relative to the major scale. List of musical scales and modes Name Image Sound Degrees Intervals
Modal notation indicated modes by grouping notes together in ligatures—a single written symbol representing two or more notes. A three-note ligature followed by a succession of duple ligatures indicated mode 1; the reverse—a succession of duple ligatures ending with a ternary on—indicated mode 2; a single note followed by a series of ...
These four modes correspond to the modern modal scales starting on re , mi , fa , and sol . [5] The tenor, or dominant (corresponding to the " reciting tone " of the psalm tones ), is a fifth above the final of the scale, with the exception of mode 3 (Phrygian), where it is a sixth above the final.
The Phrygian dominant is also known as the Spanish gypsy scale, because it resembles the scales found in flamenco and also the Berber rhythms; [4] it is the fifth mode of the harmonic minor scale. Flamenco music uses the Phrygian scale together with a modified scale from the Arab maqām Ḥijāzī [5] [6] (like the Phrygian dominant but with a ...
Ptolemy, in his Harmonics, ii.3–11, construed the tonoi differently, presenting all seven octave species within a fixed octave, through chromatic inflection of the scale degrees (comparable to the modern conception of building all seven modal scales on a single tonic).
Half diminished scale; Heyrati; Humayun (mode) Hypoaeolian mode; ... Media in category "Modes (music)" The following 2 files are in this category, out of 2 total.
The Ionian mode is a musical mode or, in modern usage, a diatonic scale also called the major scale.It is named after the Ionian Greeks.. It is the name assigned by Heinrich Glarean in 1547 to his new authentic mode on C (mode 11 in his numbering scheme), which uses the diatonic octave species from C to the C an octave higher, divided at G (as its dominant, reciting tone/reciting note or tenor ...