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At least sixty-eight instruments attributed to J. C. Denner have survived to the present day, [2] although the surviving instruments with his name are believed to have come from his sons' workshops. [4] Denner died in 1707 and was buried in Nuremberg. [1] In 1730, Johann Gabriel Doppelmayr wrote of Denner: At the beginning of the current ...
Charles Swinnerton Heap: Clarinet Sonata (1879) [2] Theodore Gouvy: Clarinet Sonata, Op. 76 (1882) Ebenezer Prout: Clarinet Sonata, Op. 26 (1882) [3] Felix Draeseke: Clarinet Sonata (1887), which also can be played by a violin; Samuel Coleridge-Taylor: Clarinet Sonata (c1893) [4] Josef Rheinberger:Clarinet Sonata, Op. 105a (1893) Johannes Brahms:
Jacob Denner (1681 – 1735) was a woodwind instrument maker of Nuremberg. He was the son of Johann Christoph Denner , improver of the chalumeau and credited with the invention of the clarinet . Jacob is also well known for his recorders [ 1 ] which have become the model for many modern instruments. [ 2 ]
By 1700, the chalumeau was an established instrument on the European musical scene. [3] Around this time, well-known Nuremberg instrument maker Johann Christoph (J.C.) Denner made improvements to the chalumeau, eventually developing it into the Baroque clarinet. The chalumeau is distinguished by two keys (thought to be added by Denner), which ...
Alice Mary Smith – Clarinet Sonata (1870) [1] Charles Swinnerton Heap – Clarinet Sonata (1879) [ 2 ] Ebenezer Prout – Clarinet Sonata, Op. 26 (1882) [ 3 ]
Johann Georg Heinrich Backofen. Johann Georg Heinrich Backofen (6 July 1768 in Durlach – 10 July 1830? in Darmstadt) was a German clarinetist, composer, and painter. [1]In his time, Backofen enjoyed great fame; he was not only known as a composer and virtuoso of the clarinet but also played the harp, flute, and basset horn.
The sonata is the composer's second extant work of chamber music, after the Sonata for two clarinets. It was written between August and October 1922 at the same time as the Sonata for clarinet and bassoon, [2] and was premiered at the Théâtre des Champs-Élysées in Paris on 4 January 1923 at a Satie-Poulenc concert organized by Jean Wiener. [3]
Op. 120, No. 1, also entitled Opus 120, No. 1 or in its German form, Opus 120, Nr. 1, is a 1986 arrangement for clarinet and orchestra of Johannes Brahms's Clarinet Sonata Op. 120, No. 1 by Italian composer Luciano Berio. As with the original Sonata, the soloist in this arrangement can either be a clarinet or a viola.