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The paintings involved still life imagery of transitory items. The genre began in the 16th century and continued into the 17th century. Vanitas art is a type of allegorical art representing a higher ideal. It was a sub-genre of painting heavily employed by Dutch painters during the Baroque period (c.1585–1730). [1]
Vanitas (1646) by Philippe de Champaigne. Vanitas, also known as Allegory of Human Life or Still Life with a Skull, is an oil on panel painting attributed to Philippe de Champaigne, from 1646. It is held in the musée de Tessé , in Le Mans, which bought it at a public auction in 1884. [1] [2]
The work is a still life in the genre of vanitas, painted with oils on oak panel, and measuring 39.2 by 50.7 cm (15.4 by 20.0 in). [1] Like most vanitas paintings, it contains deep religious overtones and was created to both remind viewers of their mortality (a memento mori) and to indicate the transient nature of material objects. [3]
Most of Andriessen's vanitas still lifes include a skull as one of the key props. [12] Vanitas still life with a skull. One of Andriessen's best-known works is the Vanitas still life with a globe, sceptre, a skull crowned with straw (c. 1650, Mount Holyoke College Art Museum).
Vanitas-Still Life, 1668, Kunsthistorisches Museum. Through the use of symbolic elements, her paintings reflect themes commonly found in Dutch still life of the 17th-century, such as vanity, impermanence, and the obligation to devote oneself to God.
Claesz's still lifes often suggest allegorical purpose, with skulls serving as reminders of human mortality. The two men founded a distinguished tradition of still life painting in Haarlem. Pieter Claesz was influenced by the vanitas movement.